Issue Cover

From: Nka: Journal of Contemporary African Art

Previous Issue

restricted access   Number 41, November 2017

Table of Contents

From the Editor: American Art, Africa, and the Diaspora

pp. 4-5
Chika Okeke-Agulu
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Augustus Washington: Looks to Liberia

pp. 6-13
Shawn Michelle Smith
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The Great Colonial Minstrel Show: Reconsidering Africa in the Art of Palmer Hayden

pp. 14-29
Mia L. Bagneris
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From Transnational to Transafrican: Winold Reiss and Romare Bearden

pp. 30-43
Jeffrey C. Stewart
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Féral Benga: African Muse of Modernism

pp. 44-59
James Smalls
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Marks and Material in Cy Twombly's North African Sketchbooks

pp. 60-73
Anne-Grit Becker
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Transferring the Grace Note: From Rita Dove's Poem to Glenn Ligon's Art

pp. 74-83
Peter Erickson
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Brevity is the Soul of Wit: Amir Nour Between Minimalism and Africanism

pp. 84-107
Salah M. Hassan
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Tracing Transatlantic Slavery: In Kimathi Donkor's UK Diaspora

pp. 108-124
Celeste-Marie Bernier
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In the Spirit of Négritude: Kehinde Wiley in Africa

pp. 126-139
Daniel Haxall
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Transcultural Conversations: American and Nigerian Art in Dialogue

pp. 140-152
Peju Layiwola
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Feedback Between American Art and African Art History

pp. 154-164
Tobias Wofford
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Toma Muteba Luntumbue: in Conversation with Z. S. Strother

pp. 166-175
Z. S. Strother, Ngara Noémie N'Diaye
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Meteoric Realities: The Fourth Biennale of Lubumbashi

pp. 176-187
Z. S. Strother
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Reviews

For Every Real Word Spoken by Phoebe Boswell (review)

pp. 188-191
Yvette Greslé
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Sacrifice and Harmony by Kader Attia (review)

pp. 192-197
Brett M. Van Hoesen
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Mounting Frustration: The Art Museum in the Age of Black Power by Susan E. Cahan (review)

pp. 198-202
Julia Elizabeth Neal
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