In this Issue

Table of Contents

An Atlas of Allusions: The Perverse Methods of Guy Debord’s Mémoires

Ella Mudie
pp. 535-563
DOI: https://doi.org/10.13110/criticism.58.4.0535
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Cadaverous Intimacies: Disgust, Desire, and the Corpse in Edgar Allan Poe’s “Valdemar”

Suzanne Ashworth
pp. 565-592
DOI: https://doi.org/10.13110/criticism.58.4.0565
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The Ghost in the Machine: Emotion and Mind–Body Union in Hamlet and Descartes

Michael Slater
pp. 593-620
DOI: https://doi.org/10.13110/criticism.58.4.0593
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New Bourgeoisie, Old Bodies: Performing Post–Civil Rights Black Privilege in Tar Baby and School Daze

Candice M. Jenkins
pp. 621-645
DOI: https://doi.org/10.13110/criticism.58.4.0621
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Corporatizing Life in a World System with Thomas Pynchon: “Networks of Interest” and Dispersed Organization

J. Paul Narkunas
pp. 647-677
DOI: https://doi.org/10.13110/criticism.58.4.0647
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The Judgment of the Drawing Room

Kristin Flieger Samuelian
pp. 679-682
DOI: https://doi.org/10.13110/criticism.58.4.0679
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New Deal Cinema and the Politics of Sympathy

Stephen Schryer
pp. 683-687
DOI: https://doi.org/10.13110/criticism.58.4.0683
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Conversation and the Infinite Long Run

Anne Freadman
pp. 689-697
DOI: https://doi.org/10.13110/criticism.58.4.0689
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To See the Earth as Other

John Corso Esquivel
pp. 699-705
DOI: https://doi.org/10.13110/criticism.58.4.0699
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Index to Volume 58 of Criticism 2016

pp. 707-709
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