1. Editorial
  2. Drake Stutesman
  3. p. 5
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  1. The Animal Logic of Contemporary Greek Cinema
  2. Rosalind Galt
  3. pp. 7-29
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  1. Cinephiles, Criminals, and Children: Discourses and Practices of Cinema Education in 1920s Paris
  2. Annie Fee
  3. pp. 38-51
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  1. Toward a History of French Ecocinema: Nature in Dimitri Kirsanoff’s Modernity
  2. Brian R. Jacobson
  3. pp. 52-66
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  1. For a Concrete Aesthetics: Against Avant-Garde Film c. 1930
  2. Jennifer Wild
  3. pp. 67-78
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  1. “To Show the People in Paris How We Live Here”: Working-Class Representation, Paul Carpita, and Film History
  2. Sabine Haenni
  3. pp. 79-89
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  1. “The Last Amateurs of Pure Cinema”: Ciné-Clubs and French Film Culture, 1930–1945
  2. Eric Smoodin
  3. pp. 90-99
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  1. Star Gazing via Documentary
  2. Priyadarshini Shanker
  3. pp. 100-118
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  1. Fan and its Paratexts
  2. Monika Mehta
  3. pp. 128-143
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  1. Embodiment and Stardom in Shahrukh Khan’s Fan
  2. Neepa Majumdar
  3. pp. 144-160
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  1. Doubling Offscreen and Onscreen: Queering the Star and the Fan in Fan
  2. Nilanjana Bhattacharjya
  3. pp. 161-172
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  1. The Mirror of Desire: Queerness, Fan, and the Riddles of Paheli
  2. Meheli Sen
  3. pp. 173-186
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  1. Double Trouble: SRK, Fandom, and Special Effects
  2. Anupama Kapse
  3. pp. 187-208
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  1. Interview with Manu Anand, Director of Photography of Fan
  2. Priyadarshini Shanker
  3. pp. 209-226
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  1. Neither Day Nor Night: Peggy Ahwesh’s Palestinian Essays
  2. Jenelle Troxell, Peggy Ahwesh
  3. pp. 227-261
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  1. Introduction: French Cinema at the Margins
  2. Eric Smoodin
  3. pp. 33-37
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  1. Introduction
  2. Anupama Kapse, Meheli Sen
  3. pp. 121-127
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