In this Issue

Table of Contents

Editor's Notes

Michael T. Martin
pp. 1-2
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Errata Notes for 9.1 (corrections from 8.2 Issue)

p. 3
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Errata Notes for 9.1 (corrections from 8.2 Issue)

p. 4
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Articles

Timbuktu: What Call to Action?

Amadou Fofana, Bruce S. Hall
pp. 7-21
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Sentimentalizing Racial Reconciliation in the "New South Africa": Cinematic Representation of the 1995 Rugby World Cup

Albert Fu, Martin Murray
pp. 22-46
DOI: https://doi.org/10.2979/blackcamera.9.1.02
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All Tangled Up: Intersecting Stigmas of Race, Gender, and Sexuality in Mariana Rondón's Bad Hair

Reighan Gillam
pp. 47-61
DOI: https://doi.org/10.2979/blackcamera.9.1.03
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Color/blindness in Sheri Hagen's Auf den zweiten Blick

Olivia Landry
pp. 62-79
DOI: https://doi.org/10.2979/blackcamera.9.1.04
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Interview

On the Commerce of Intimacy: Dany Laferrière on How to Make Love to a Negro… and Heading South

Michael T. Martin, Yalie Kamara
pp. 80-105
DOI: https://doi.org/10.2979/blackcamera.9.1.05
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Close-Up: Beyoncé: Media and Cultural Icon

Introduction: Who is Beyoncé?

Stephanie Li
pp. 106-113
DOI: https://doi.org/10.2979/blackcamera.9.1.06
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Beyoncé's Digital Stardom

Eric Harvey
pp. 114-130
DOI: https://doi.org/10.2979/blackcamera.9.1.07
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Surviving the Hustle: Beyoncé's Performance of Work

Emily J. Lordi
pp. 131-145
DOI: https://doi.org/10.2979/blackcamera.9.1.08
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Queen Bey and the New Niggerati: Ethics of Individualism in the Appropriation of Black Radicalism

Mako Fitts Ward
pp. 146-163
DOI: https://doi.org/10.2979/blackcamera.9.1.09
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Beyoncé's Black (Ab)Normal: Baaad Insurgency and the Queerness of Slaying

Marquis Bey
pp. 164-178
DOI: https://doi.org/10.2979/blackcamera.9.1.10
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Ass You Lick It: Bey and Jay Eat Cake

Dinah Holtzman
pp. 179-188
DOI: https://doi.org/10.2979/blackcamera.9.1.11
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A Critical View of Beyonce's "Formation"

Alicia Wallace
pp. 189-196
DOI: https://doi.org/10.2979/blackcamera.9.1.12
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Class Formation: Beyoncé in Music Video Production

Aisha Durham
pp. 197-204
DOI: https://doi.org/10.2979/blackcamera.9.1.13
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A Conversation with Salamishah Tillet

Tiffany E. Barber
pp. 205-216
DOI: https://doi.org/10.2979/blackcamera.9.1.14
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Frespaco Dossier

Selected English Translations and List of Participants

Gaston Kaboré, Alain Didier Compaore
pp. 218-224
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Décoloniser notre imaginaire: Mardi 28 février 2017 – Ouagadougou – Burkino Faso

Fouad Souiba
pp. 226-232
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Rapport Général Colloque FESPACO (French)

Various Contributors
pp. 234-300
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Félicité: Paths of Possibility

Olivier Barlet, Melissa Thackway
pp. 302-303
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Félicité: A Lesson in Cinema

Olivier Barlet, Melissa Thackway
pp. 304-306
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FESPACO: A Discredited Festival

Olivier Barlet, Melissa Thackway
pp. 308-322
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Film Review

Film Review: Killer of Sheep

Mary Maillard
pp. 323-328
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Archival Spotlight

Things I Forgot to Tell You: The Forgotten Legacy of Phil Moore

Ronda L. Sewald
pp. 329-349
DOI: https://doi.org/10.2979/blackcamera.9.1.15
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Archival News

Yalie Kamara
pp. 350-355
DOI: https://doi.org/10.2979/blackcamera.9.1.0350
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