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Table of Contents

  1. Kissing a Photograph: Reproductive Panic in Kate Chopin and Thomas Hardy
  2. Arielle Zibrak
  3. pp. 355-374
  4. DOI: https://doi.org/10.13110/criticism.58.3.0355
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  1. Thoreau's Journal or the Workshop of Being
  2. François Specq
  3. pp. 375-408
  4. DOI: https://doi.org/10.13110/criticism.58.3.0375
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  1. The Colonial Baroque in Australia: On Drover Boab Texts, Wiradjuri Clubs, and Charlie Flannigan's Drawings
  2. Michael Farrell
  3. pp. 409-431
  4. DOI: https://doi.org/10.13110/criticism.58.3.0409
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  1. Writing Women, Writing Wax: Metaphors of Impression—Possibilities of Agency in Shakespeare's Rape of Lucrece and Twelfth Night
  2. Lynn M. Maxwell
  3. pp. 433-458
  4. DOI: https://doi.org/10.13110/criticism.58.3.0433
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  1. By What Strange Channels: Nicholas Mosley's Literary Circuits
  2. Abram Foley
  3. pp. 459-481
  4. DOI: https://doi.org/10.13110/criticism.58.3.0459
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  1. Why is Beloved So Universally Beloved?: Uncovering Our Hidden Aesthetic Criteria
  2. Timothy Aubry
  3. pp. 483-506
  4. DOI: https://doi.org/10.13110/criticism.58.3.0483
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Reviews

  1. An Impossible Ideal: Motherhood in Eighteenth-Century Britain
  2. Jessica Hanselman Gray
  3. pp. 507-511
  4. DOI: https://doi.org/10.13110/criticism.58.3.0507
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  1. Are You My Internal Object?
  2. Sharif Youssef
  3. pp. 513-521
  4. DOI: https://doi.org/10.13110/criticism.58.3.0513
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  1. "No Story, No Myth"
  2. Jonathan Lamb
  3. pp. 523-528
  4. DOI: https://doi.org/10.13110/criticism.58.3.0523
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  1. The Imp of the Perverse
  2. John Emil Vincent
  3. pp. 529-534
  4. DOI: https://doi.org/10.13110/criticism.58.3.0529
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