In this Issue

Table of Contents

Race and Media in 21st-Century Classrooms

Thulani Davis
pp. 4-11
DOI: https://doi.org/10.1353/flm.2017.0036
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The Archival Value of Television in the “Golden Age” of Media Collecting

Lauren Bratslavsky
pp. 12-27
DOI: https://doi.org/10.1353/flm.2017.0037
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All Bad Little Movies When They Die Go to Ralph Spence: The Silent Era’s Most Famous Title Writer

Gregory Robinson
pp. 28-40
DOI: https://doi.org/10.1353/flm.2017.0038
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From The Manchurian Candidate to Zero Dark Thirty: Reading the CIA’s History of Torture through Hollywood Thrillers

Lisa Hajjar
pp. 41-54
DOI: https://doi.org/10.1353/flm.2017.0039
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Speaking Truths With Film: Evidence, Ethics, Politics in Documentary by Bill Nichols (review)

Alex W. Bordino
pp. 55-56
DOI: https://doi.org/10.1353/flm.2017.0040
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Carceral Fantasies: Cinema and Prison in Early Twentieth-Century America by Alison Griffiths (review)

Carolyn Jacobs
pp. 57-58
DOI: https://doi.org/10.1353/flm.2017.0041
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Contemporary Masculinities in Fiction, Film and Television by Brian Baker (review)

Brian Faucette
pp. 59-61
DOI: https://doi.org/10.1353/flm.2017.0042
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Farber on Film: The Complete Film Writings of Manny Farber ed. by Robert Polito (review)

Bernard F. Dick
pp. 62-63
DOI: https://doi.org/10.1353/flm.2017.0043
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The First King of Hollywood: The Life of Douglas Fairbanks by Tracey Goessel (review)

James H. Krukones
pp. 64-65
DOI: https://doi.org/10.1353/flm.2017.0044
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Mexico on Main Street: Transnational Film Culture in Los Angeles Before World War II by Colin Gunckel (review)

Frank Garcia
pp. 66-68
DOI: https://doi.org/10.1353/flm.2017.0045
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Ghost Faces: Hollywood and Post-Millennial Masculinity by David Greven (review)

Brian Faucette
pp. 69-71
DOI: https://doi.org/10.1353/flm.2017.0046
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Our Gang: A Racial History of the Little Rascals by Julia Lee (review)

Valerie H. Pennanen
pp. 72-74
DOI: https://doi.org/10.1353/flm.2017.0047
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The Laughing Dead: The Horror-Comedy Film from Bride of Frankenstein to Zombieland ed. by Cynthia J. Miller, A. Bowdoin Van Riper (review)

Matthew McKeague
pp. 75-76
DOI: https://doi.org/10.1353/flm.2017.0048
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Reframing the Past: History, Film and Television by Mia E. M. Treacey (review)

Kim Nelson
pp. 77-79
DOI: https://doi.org/10.1353/flm.2017.0049
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Back to the Fifties: Nostalgia, Hollywood Film, and Popular Music of the Seventies and Eighties by Michael D. Dwyer (review)

Christopher D. Stone
pp. 80-81
DOI: https://doi.org/10.1353/flm.2017.0050
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Selling the Silver Bullet: The Lone Ranger & Transmedia Brand Licensing by Avi Santo (review)

Britta Hanson
pp. 82-83
DOI: https://doi.org/10.1353/flm.2017.0051
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Captain America, Masculinity, and Violence: The Evolution of a National Icon by J. Richard Stevens (review)

Ezra Claverie
pp. 84-85
DOI: https://doi.org/10.1353/flm.2017.0052
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The Poitier Effect: Racial Melodrama and Fantasies of Reconciliation by Sharon Willis (review)

Derek C. Maus
pp. 86-88
DOI: https://doi.org/10.1353/flm.2017.0053
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Imperial Projections: Screening the German Colonies by Wolfgang Fuhrmann (review)

Richard A. Voeltz
pp. 89-90
DOI: https://doi.org/10.1353/flm.2017.0054
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