restricted access   Volume 38, Number 4, 2017

Table of Contents

Editor's Note

pp. 6-7
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Writing South Africa

miracle, and: how do I honour my union

pp. 8-10
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Baloyi's art gallery

pp. 11-12
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The Alphabet Changes Direction

p. 13
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Grandpa Joe & Co

pp. 14-17
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Fattest Flies, and: Tongues

pp. 18-20
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the poor blacks of the world

pp. 21-22
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Summary of a tourist's report on his return home

pp. 23-24
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Visit to my mother

pp. 25-26
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Scent, and: Mabiki

pp. 27-30
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Don't tell them we're going or they'll want to come too, and: S.o.b.

pp. 31-33
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Ndiy' iNkonde, and: The soil whispers

pp. 34-36
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Finding and Growing Athlone

pp. 37-42
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Poetry

tempo, and: small alphabets, and: hand work

pp. 43-45
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Immigrant Aria, and: Boy-Not-Boy

pp. 62-63
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Wonder Days

p. 64
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Self-Portrait as Something Like a Heart, and: Self-Portrait as the River Floods

pp. 92-93
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Wishbone

pp. 105-106
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In the waiting room of America, and: The Practice of Depicting Matter as It Passes from Radiance to Decomposition

pp. 121-124
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Crown

pp. 136-137
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Ranch Hand Blasting Pantera in the Cow Pasture

pp. 148-149
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Indigo

pp. 168-169
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Drapery Study

pp. 179-180
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Fiction

The Road to Battambang

pp. 46-61
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Isabella's Basil

pp. 65-72
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Other People's Families

pp. 82-91
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The Pathetic Fallacy

pp. 125-135
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Hit Me

pp. 138-147
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These Are Good Indians

pp. 150-167
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Nonfiction

Blaming the Brontës: Book(ish) Reviews from the 1930s

pp. 73-81
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A Miniature for My Mother

pp. 94-104
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Post-its

pp. 107-120
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The X Process: Anti-Psychiatry and Its Hopes

pp. 170-178
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Consider the Leopard

pp. 181-183
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Contributors' Notes

pp. 184-188
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