1. Editor's Note
  2. pp. 6-7
  3. DOI: 10.1353/ner.2017.0086
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  1. miracle, and: how do I honour my union
  2. Antjie Krog
  3. pp. 8-10
  4. DOI: 10.1353/ner.2017.0087
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  1. Baloyi's art gallery
  2. Vonani Bila
  3. pp. 11-12
  4. DOI: 10.1353/ner.2017.0088
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  1. The Alphabet Changes Direction
  2. Yvette Christiansë
  3. p. 13
  4. DOI: 10.1353/ner.2017.0089
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  1. Grandpa Joe & Co
  2. Denis Hirson
  3. pp. 14-17
  4. DOI: 10.1353/ner.2017.0090
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  1. Fattest Flies, and: Tongues
  2. Ronelda Kamfer, Mike Dickman
  3. pp. 18-20
  4. DOI: 10.1353/ner.2017.0091
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  1. the poor blacks of the world
  2. Mxolisi Nyezwa
  3. pp. 21-22
  4. DOI: 10.1353/ner.2017.0092
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  1. Summary of a tourist's report on his return home
  2. Breyten Breytenbach, Catherine du Toit
  3. pp. 23-24
  4. DOI: 10.1353/ner.2017.0093
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  1. Visit to my mother
  2. Robert Berold
  3. pp. 25-26
  4. DOI: 10.1353/ner.2017.0094
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  1. Scent, and: Mabiki
  2. Ingrid de Kok
  3. pp. 27-30
  4. DOI: 10.1353/ner.2017.0095
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  1. Don't tell them we're going or they'll want to come too, and: S.o.b.
  2. Nathan Trantraal, André Trantraal
  3. pp. 31-33
  4. DOI: 10.1353/ner.2017.0096
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  1. Ndiy' iNkonde, and: The soil whispers
  2. Mbongeni Nomkonwana
  3. pp. 34-36
  4. DOI: 10.1353/ner.2017.0097
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  1. Finding and Growing Athlone
  2. Gabeba Baderoon
  3. pp. 37-42
  4. DOI: 10.1353/ner.2017.0098
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  1. tempo, and: small alphabets, and: hand work
  2. Gloria García Lorca
  3. pp. 43-45
  4. DOI: 10.1353/ner.2017.0099
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  1. The Road to Battambang
  2. Maxim Matusevich
  3. pp. 46-61
  4. DOI: 10.1353/ner.2017.0100
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  1. Immigrant Aria, and: Boy-Not-Boy
  2. Rajiv Mohabir
  3. pp. 62-63
  4. DOI: 10.1353/ner.2017.0101
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  1. Wonder Days
  2. Nomi Stone
  3. p. 64
  4. DOI: 10.1353/ner.2017.0102
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  1. Isabella's Basil
  2. Lynda Sexson
  3. pp. 65-72
  4. DOI: 10.1353/ner.2017.0103
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  1. Blaming the Brontës: Book(ish) Reviews from the 1930s
  2. Mary Butts
  3. pp. 73-81
  4. DOI: 10.1353/ner.2017.0104
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  1. Other People's Families
  2. Hannah Rahimi
  3. pp. 82-91
  4. DOI: 10.1353/ner.2017.0105
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  1. Self-Portrait as Something Like a Heart, and: Self-Portrait as the River Floods
  2. Molly Spencer
  3. pp. 92-93
  4. DOI: 10.1353/ner.2017.0106
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  1. A Miniature for My Mother
  2. Julia Ridley Smith
  3. pp. 94-104
  4. DOI: 10.1353/ner.2017.0107
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  1. Wishbone
  2. Carlie Hoffman
  3. pp. 105-106
  4. DOI: 10.1353/ner.2017.0108
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  1. Post-its
  2. Evan Lavender-Smith
  3. pp. 107-120
  4. DOI: 10.1353/ner.2017.0109
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  1. In the waiting room of America, and: The Practice of Depicting Matter as It Passes from Radiance to Decomposition
  2. Erika Meitner
  3. pp. 121-124
  4. DOI: 10.1353/ner.2017.0110
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  1. The Pathetic Fallacy
  2. Alyssa Pelish
  3. pp. 125-135
  4. DOI: 10.1353/ner.2017.0111
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  1. Crown
  2. William Brewer
  3. pp. 136-137
  4. DOI: 10.1353/ner.2017.0112
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  1. Hit Me
  2. Gregory Spatz
  3. pp. 138-147
  4. DOI: 10.1353/ner.2017.0113
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  1. Ranch Hand Blasting Pantera in the Cow Pasture
  2. Charlie Clark
  3. pp. 148-149
  4. DOI: 10.1353/ner.2017.0114
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  1. These Are Good Indians
  2. Richard Osborn Hood
  3. pp. 150-167
  4. DOI: 10.1353/ner.2017.0115
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  1. Indigo
  2. Fady Joudah
  3. pp. 168-169
  4. DOI: 10.1353/ner.2017.0116
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  1. The X Process: Anti-Psychiatry and Its Hopes
  2. Rob White
  3. pp. 170-178
  4. DOI: 10.1353/ner.2017.0117
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  1. Drapery Study
  2. Mario Hernandez
  3. pp. 179-180
  4. DOI: 10.1353/ner.2017.0118
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  1. Consider the Leopard
  2. Mary Kingsley
  3. pp. 181-183
  4. DOI: 10.1353/ner.2017.0119
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  1. Contributors' Notes
  2. pp. 184-188
  3. DOI: 10.1353/ner.2017.0120
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