restricted access   Volume 25, Number 1, Spring / printemps 2016

Table of Contents

Twenty-fifth anniversary of CJFS
Vingt-cinquième anniversaire de RCÉC
ISSUE 1 / Canadian Cinema and Television
NUMÉRO 1 / Cinéma et télévision au Canada


National and Global: Twenty-Five Years of Film Studies in a Canadian Context

pp. 4-7


Du dix-neuf au nineteen.: Une étude comparative des versions québécoise francophone et canadienne anglophone de la série télévisée 19-2

pp. 8-26

Madawaska Valley: John Ormond's Lost Film at the National Film Board of Canada

pp. 27-45

L'incursion de l'ONF dans la thérapie psychiatrique : Genèse, réalisation et pérennité de la série Mental Mechanisms

pp. 46-66

The Rise and Fall of the Stratford International Film Festival

pp. 67-87

Documentary Film Festivals as Ideological Transactions: Film Screening Sites at Hot Docs

pp. 88-110

Modes of Intersubjective Address in The Central Character (1977) and Our Marilyn (1987)

pp. 111-134


Screens Stop Here!: Tax Credit Thinking and the Contemporary Meaning of "Local" Filmmaking

pp. 135-148

Twenty-Five Years of the Canadian Journal of Film Studies/Revue canadienne d'études cinématographiques

pp. 149-155


Introduction: Peter Morris and Canadian Film History

pp. 156-158

The Specious Past: Reflections of a Film Historian in Canada

pp. 159-168

Book Reviews

The Archive Effect: Found Footage and the Audiovisual Experience of History by Jaimie Baron (review)

pp. 169-171

The End of Cinema?: A Medium in Crisis in the Digital Age by André Gaudreault and Philippe Marion (review)

pp. 172-174

Contributor Biographies / Biographies des contributeurs

pp. 175-176