1. National and Global: Twenty-Five Years of Film Studies in a Canadian Context
  2. Marc Furstenau
  3. pp. 4-7
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  1. Madawaska Valley: John Ormond's Lost Film at the National Film Board of Canada
  2. Kieron Smith
  3. pp. 27-45
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  1. L'incursion de l'ONF dans la thérapie psychiatrique : Genèse, réalisation et pérennité de la série Mental Mechanisms
  2. Martin Beaulieu
  3. pp. 46-66
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  1. The Rise and Fall of the Stratford International Film Festival
  2. Ian Rae, Jessica Thom
  3. pp. 67-87
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  1. Documentary Film Festivals as Ideological Transactions: Film Screening Sites at Hot Docs
  2. Lyell Davies
  3. pp. 88-110
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  1. Modes of Intersubjective Address in The Central Character (1977) and Our Marilyn (1987)
  2. Shana MacDonald
  3. pp. 111-134
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  1. Screens Stop Here! Tax Credit Thinking and the Contemporary Meaning of "Local" Filmmaking
  2. Jennifer VanderBurgh
  3. pp. 135-148
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  1. Twenty-Five Years of the Canadian Journal of Film Studies/Revue canadienne d'études cinématographiques
  2. Zuzana Pick, William C. Wees, Blaine Allan, Catherine Russell
  3. pp. 149-155
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  1. The Specious Past: Reflections of a Film Historian in Canada
  2. Peter Morris
  3. pp. 159-168
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  1. The Archive Effect: Found Footage and the Audiovisual Experience of History by Jaimie Baron (review)
  2. William C. Wees
  3. pp. 169-171
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  1. The End of Cinema?: A Medium in Crisis in the Digital Age by André Gaudreault and Philippe Marion (review)
  2. John W. Locke
  3. pp. 172-174
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  1. Contributor Biographies / Biographies des contributeurs
  2. pp. 175-176
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  1. Introduction: Peter Morris and Canadian Film History
  2. Jerry White
  3. pp. 156-158
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