restricted access   Volume 60, Number 4, Winter 2017

Table of Contents

Editor’s Note

pp. iii-vi


Annawadi on the South Bank: Global Neoliberalism and Spatial Contingency in Behind the Beautiful Forevers

pp. 407-427

“To Follow Pleasure’s Sway”: Atomism in Sarah Ruhl’s The Clean House

pp. 428-447

Contemporary French Drama and the Stupidity of/in the Capitalist Labour Pool: The Case of Joël Pommerat

pp. 448-479

Reunion, Complication, Refraction, and Translation: How Postcolonialism and Post-Structuralism Mark Bengal Tiger at the Baghdad Zoo

pp. 480-500

Tragedy and the Common Goat: Deperformative Poetics in Edward Albee’s The Goat, or Who Is Sylvia?

pp. 501-525


From Scenarios to Networks: Performing the Intercultural in Colonial Mexico by Leo Cabranes-Grant (review)

pp. 526-528

Staging Chinese Revolution: Theater, Film, and the Afterlives of Propaganda by Xiaomei Chen (review)

pp. 528-531

A Global Doll’s House: Ibsen and Distant Visions by Julie Holledge et al. (review)

pp. 531-533

Alienation Effects: Performance and Self-Management in Yugoslavia, 1945–91 by Branislav Jakovljević (review)

pp. 533-536

After ’89: Polish Theatre and the Political by Bryce Lease (review)

pp. 536-538

Performing Whitely in the Postcolony: Afrikaners in South African Theatrical and Public Life by Megan Lewis (review)

pp. 538-541

Theatre, Time and Temporality: Melting Clocks and Snapped Elastics by David Ian Rabey (review)

pp. 541-543

The Irish Dramatic Revival 1899–1939 by Anthony Roche (review)

pp. 543-545

Index to Volume 60, 2017

pp. 546-549