1. Annawadi on the South Bank: Global Neoliberalism and Spatial Contingency in Behind the Beautiful Forevers
  2. Ryan Claycomb
  3. pp. 407-427
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  1. “To Follow Pleasure’s Sway”: Atomism in Sarah Ruhl’s The Clean House
  2. Jennifer Heller
  3. pp. 428-447
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  1. Contemporary French Drama and the Stupidity of/in the Capitalist Labour Pool: The Case of Joël Pommerat
  2. Les Essif
  3. pp. 448-479
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  1. Reunion, Complication, Refraction, and Translation: How Postcolonialism and Post-Structuralism Mark Bengal Tiger at the Baghdad Zoo
  2. Scott Proudfit
  3. pp. 480-500
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  1. Tragedy and the Common Goat: Deperformative Poetics in Edward Albee’s The Goat, or Who Is Sylvia?
  2. Andrew Sofer
  3. pp. 501-525
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  1. From Scenarios to Networks: Performing the Intercultural in Colonial Mexico by Leo Cabranes-Grant (review)
  2. Patricia Ybarra
  3. pp. 526-528
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  1. Staging Chinese Revolution: Theater, Film, and the Afterlives of Propaganda by Xiaomei Chen (review)
  2. Daphne P. Lei
  3. pp. 528-531
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  1. A Global Doll’s House: Ibsen and Distant Visions by Julie Holledge et al. (review)
  2. Dean Krouk
  3. pp. 531-533
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  1. Alienation Effects: Performance and Self-Management in Yugoslavia, 1945–91 by Branislav Jakovljević (review)
  2. Duška Radosavljević
  3. pp. 533-536
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  1. After ’89: Polish Theatre and the Political by Bryce Lease (review)
  2. Tamara Trojanowska
  3. pp. 536-538
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  1. Performing Whitely in the Postcolony: Afrikaners in South African Theatrical and Public Life by Megan Lewis (review)
  2. Loren Kruger
  3. pp. 538-541
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  1. Theatre, Time and Temporality: Melting Clocks and Snapped Elastics by David Ian Rabey (review)
  2. Matthew Wagner
  3. pp. 541-543
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  1. The Irish Dramatic Revival 1899–1939 by Anthony Roche (review)
  2. Ian R. Walsh
  3. pp. 543-545
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  1. Index to Volume 60, 2017
  2. pp. 546-549
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  1. Editor’s Note
  2. R. Darren Gobert
  3. pp. iii-vi
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