1. Speeches, Speech Order, and Performance in Shakespeare’s Printed Playtexts
  2. Matt Vadnais
  3. pp. 521-539
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  1. “O’erwhelmed with Noise”: Sound-Houses and Sonic Experiments in Ben Jonson’s Epicene
  2. Briony Frost
  3. pp. 541-574
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  1. Queer Slackers in Billy Morrissette’s Scotland, PA
  2. Jarred Wiehe
  3. pp. 575-597
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  1. Black Skin, Black Castes: Overcoming a Fidelity Discourse in Bhardwaj’s Omkara
  2. Saksham Sharda
  3. pp. 599-626
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  1. “The forms of things unknown”: Shakespeare and the Rise of the Live Broadcast
  2. Erin Sullivan
  3. pp. 627-662
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  1. Taking The Alchemist Seriously: Polly Findlay’s RSC Production as Seen by a Theater Historian
  2. Alan C. Dessen
  3. pp. 663-673
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  1. Basquiat Cases: Hamlet, Doctor Faustus, and The Alchemist at the Royal Shakespeare Company
  2. Grace Godwin
  3. pp. 675-686
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  1. King Lear (review)
  2. Musa Gurnis
  3. pp. 687-689
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  1. Julius Caesar, and: Antony and Cleopatra, and: Titus Andronicus (review)
  2. Justin B. Hopkins
  3. pp. 689-699
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  1. The Taming of the Shrew (review)
  2. Alexa Alice Joubin
  3. pp. 700-703
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  1. The Spanish Tragedy (review)
  2. Elizabeth Zeman Kolkovich
  3. pp. 703-706
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  1. Timon of Athens (review)
  2. Noel Sloboda
  3. pp. 707-711
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  1. Julius Caesar, and: A Midsummer Night’s Dream, and: Hamlet (review)
  2. Dan Venning
  3. pp. 711-720
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  1. The Winter’s Tale (review)
  2. Pascale Aebischer
  3. pp. 721-725
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  1. Shakespeare in the Theatre: The American Shakespeare Center by Paul Menzer (review)
  2. Pascale Aebischer
  3. pp. 727-731
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  1. Shakespeare and Gesture in Practice by Darren Tunstall (review)
  2. Miranda Fay Thomas
  3. pp. 731-735
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