restricted access   Volume 35, Number 4, Winter 2017

Table of Contents


Speeches, Speech Order, and Performance in Shakespeare’s Printed Playtexts

pp. 521-539

“O’erwhelmed with Noise”: Sound-Houses and Sonic Experiments in Ben Jonson’s Epicene

pp. 541-574

Queer Slackers in Billy Morrissette’s Scotland, PA

pp. 575-597

Black Skin, Black Castes: Overcoming a Fidelity Discourse in Bhardwaj’s Omkara

pp. 599-626

“The forms of things unknown”: Shakespeare and the Rise of the Live Broadcast

pp. 627-662

Performance Retrospective

Taking The Alchemist Seriously: Polly Findlay’s RSC Production as Seen by a Theater Historian

pp. 663-673

Review Essay

Basquiat Cases: Hamlet, Doctor Faustus, and The Alchemist at the Royal Shakespeare Company

pp. 675-686

Performance Reviews

King Lear (review)

pp. 687-689

Julius Caesar, and: Antony and Cleopatra, and: Titus Andronicus (review)

pp. 689-699

The Taming of the Shrew (review)

pp. 700-703

The Spanish Tragedy (review)

pp. 703-706

Timon of Athens (review)

pp. 707-711

Julius Caesar, and: A Midsummer Night’s Dream, and: Hamlet (review)

pp. 711-720

Second Looks

The Winter’s Tale (review)

pp. 721-725

Book Reviews

Shakespeare in the Theatre: The American Shakespeare Center by Paul Menzer (review)

pp. 727-731

Shakespeare and Gesture in Practice by Darren Tunstall (review)

pp. 731-735