In this Issue

Table of Contents

Introduction

Sara Freeman
pp. 1-3
DOI: https://doi.org/10.1353/ths.2017.0000
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Part I Studies in Theatre History

Resisting Arlecchino's Mask: The Case of Marcello Moretti

Gabrielle Houle
pp. 7-28
DOI: https://doi.org/10.1353/ths.2017.0001
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Making Space for Performance: Theatrical-Architectural Nationalism in Postindependence Ghana

David Afriyie Donkor
pp. 29-56
DOI: https://doi.org/10.1353/ths.2017.0002
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Preparing Boys for War: J. M. Barrie's Peter Pan Enlists in World War I's "Great Adventure"

Laura Ferdinand Feldmeyer
pp. 57-74
DOI: https://doi.org/10.1353/ths.2017.0003
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Not Just Rock 'n' Roll: Chicago Theatre, 1984–1990

Julie Jackson
pp. 75-111
DOI: https://doi.org/10.1353/ths.2017.0004
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Part II Histories of New Writing for Theatre

New Writing and Theatre History: Introduction to the Special Section

Sara Freeman
pp. 115-128
DOI: https://doi.org/10.1353/ths.2017.0005
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New Plays in New Tongues: Bilingualism and Immigration at the New Italian Theatre in France

Matthew Mcmahan
pp. 129-148
DOI: https://doi.org/10.1353/ths.2017.0006
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The Waterloo Summer of the Prince of Wales's Theatre: New Writing, Old Friends, and Early Realism in the Victorian Theatre

Shannon Epplett
pp. 149-182
DOI: https://doi.org/10.1353/ths.2017.0007
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Chekhov's Three Sisters: A Proto-Poststructuralist Experiment

Sarah Wyman
pp. 183-210
DOI: https://doi.org/10.1353/ths.2017.0008
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Historicizing Shakesfear and Translating Shakespeare Anew

Lezlie C. Cross
pp. 211-230
DOI: https://doi.org/10.1353/ths.2017.0009
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A New Noble Kinsmen: The Play On! Project and Making New Plays Out of Old

Martine Kei Green-Rogers, Alex N. Vermillion
pp. 231-247
DOI: https://doi.org/10.1353/ths.2017.0010
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Making New Theatre Together: The First Writers' Group at the Royal Court Theatre and Its Legacy within the Young Writers' Programme

Nicholas Holden
pp. 248-265
DOI: https://doi.org/10.1353/ths.2017.0011
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New Writing in a Populist Context: A Play, a Pie and a Pint

Deana Nichols
pp. 266-285
DOI: https://doi.org/10.1353/ths.2017.0012
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American Playwriting and the Now New

Todd London
pp. 286-298
DOI: https://doi.org/10.1353/ths.2017.0013
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Part III Essay from the Conference

Black Folks's Theatre to Black Lives Matter: The Black Revolution on Campus

La Donna L. Forsgren
pp. 301-309
DOI: https://doi.org/10.1353/ths.2017.0014
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Part IV Book Reviews

Theatre and Evolution from Ibsen to Beckett by Kirsten E. Shepherd-Barr (review)

Vivian Appler
pp. 313-315
DOI: https://doi.org/10.1353/ths.2017.0015
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American Traveling Tent Theatre, 1900–1940: Rural and Small Town Tent Show Plays Performed in the Midwest (Including Scripts of Popular Tent Theatricals) by Dawn Larsen and Richard L. Poole (review)

Steven Dedalus Burch
pp. 315-318
DOI: https://doi.org/10.1353/ths.2017.0016
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Rooms in Dramatic Realism by Fred Miller Robinson (review)

Dorothy Chansky
pp. 318-320
DOI: https://doi.org/10.1353/ths.2017.0017
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Offstage Voices: Life in Twin Cities Theater by Peg Guilfoyle (review)

Eric J. Colleary
pp. 320-322
DOI: https://doi.org/10.1353/ths.2017.0018
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Working in the Wings: New Perspectives on Theatre History and Labor eds. by Elizabeth A. Osborne and Christine Woodworth (review)

Stacey Connelly
pp. 323-325
DOI: https://doi.org/10.1353/ths.2017.0019
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Child Labor in the British Victorian Entertainment Industry, 1875–1914 by Dyan Colclough (review)

Eileen Curley, Eileen Curley
pp. 325-328
DOI: https://doi.org/10.1353/ths.2017.0020
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A Taste for Brown Bodies: Gay Modernity and Cosmopolitan Desire by Hiram Pérez (review)

Darin Kerr, Darin Kerr
pp. 328-330
DOI: https://doi.org/10.1353/ths.2017.0021
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Kitchen Sink Realisms: Domestic Labor, Dining, and Drama in American Theatre by Dorothy Chansky (review)

Karin Maresh
pp. 330-333
DOI: https://doi.org/10.1353/ths.2017.0032
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Playing God: The Bible on the Broadway Stage by Henry Bial (review)

I. Bailey Mcdaniel
pp. 333-336
DOI: https://doi.org/10.1353/ths.2017.0022
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Performance and Temporalisation: Time Happens eds. by Jodie McNeilly, and Maeva Veerapen (review)

Julia Moriarty
pp. 336-338
DOI: https://doi.org/10.1353/ths.2017.0023
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Seeing Sarah Bernhardt: Performance and Silent Film by Victoria Duckett (review)

Laura M. Nelson
pp. 339-341
DOI: https://doi.org/10.1353/ths.2017.0024
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American Tragedian: The Life of Edwin Booth by Daniel J. Watermeier (review)

Michael A. Rothmayer
pp. 341-343
DOI: https://doi.org/10.1353/ths.2017.0025
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Lincoln and Shakespeare by Michael Anderegg, and: Fortune's Fool: The Life of John Wilkes Booth by Terry Alford (review)

Richard Sautter
pp. 343-346
DOI: https://doi.org/10.1353/ths.2017.0026
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Childhood and Nineteenth-Century American Theatre: The Work of the Marsh Troupe of Juvenile Actors by Shauna Vey (review)

Jeff Turner
pp. 346-348
DOI: https://doi.org/10.1353/ths.2017.0027
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Early Modern Drama in Performance: Essays in Honor of Lois Potter ed. by Darlene Farabee, Mark Netzloff, and Bradley D. Ryner (review)

Dan Venning, Dan Venning
pp. 348-351
DOI: https://doi.org/10.1353/ths.2017.0028
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Victorian Classical Burlesques: A Critical Anthology by Laura Monrós-Gaspar (review)

Elizabeth Wellman
pp. 351-353
DOI: https://doi.org/10.1353/ths.2017.0029
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Books Received

pp. 355-356
DOI: https://doi.org/10.1353/ths.2017.0030
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Contributors

pp. 357-360
DOI: https://doi.org/10.1353/ths.2017.0031
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