1. Resisting Arlecchino's Mask: The Case of Marcello Moretti
  2. Gabrielle Houle
  3. pp. 7-28
  4. DOI: 10.1353/ths.2017.0001
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  1. Making Space for Performance: Theatrical-Architectural Nationalism in Postindependence Ghana
  2. David Afriyie Donkor
  3. pp. 29-56
  4. DOI: 10.1353/ths.2017.0002
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  1. Preparing Boys for War: J. M. Barrie's Peter Pan Enlists in World War I's "Great Adventure"
  2. Laura Ferdinand Feldmeyer
  3. pp. 57-74
  4. DOI: 10.1353/ths.2017.0003
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  1. Not Just Rock 'n' Roll: Chicago Theatre, 1984–1990
  2. Julie Jackson
  3. pp. 75-111
  4. DOI: 10.1353/ths.2017.0004
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  1. New Plays in New Tongues: Bilingualism and Immigration at the New Italian Theatre in France
  2. Matthew Mcmahan
  3. pp. 129-148
  4. DOI: 10.1353/ths.2017.0006
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  1. The Waterloo Summer of the Prince of Wales's Theatre: New Writing, Old Friends, and Early Realism in the Victorian Theatre
  2. Shannon Epplett
  3. pp. 149-182
  4. DOI: 10.1353/ths.2017.0007
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  1. Chekhov's Three Sisters: A Proto-Poststructuralist Experiment
  2. Sarah Wyman
  3. pp. 183-210
  4. DOI: 10.1353/ths.2017.0008
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  1. Historicizing Shakesfear and Translating Shakespeare Anew
  2. Lezlie C. Cross
  3. pp. 211-230
  4. DOI: 10.1353/ths.2017.0009
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  1. A New Noble Kinsmen: The Play On! Project and Making New Plays Out of Old
  2. Martine Kei Green-Rogers, Alex N. Vermillion
  3. pp. 231-247
  4. DOI: 10.1353/ths.2017.0010
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  1. New Writing in a Populist Context: A Play, a Pie and a Pint
  2. Deana Nichols
  3. pp. 266-285
  4. DOI: 10.1353/ths.2017.0012
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  1. American Playwriting and the Now New
  2. Todd London
  3. pp. 286-298
  4. DOI: 10.1353/ths.2017.0013
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  1. Black Folks's Theatre to Black Lives Matter: The Black Revolution on Campus
  2. La Donna L. Forsgren
  3. pp. 301-309
  4. DOI: 10.1353/ths.2017.0014
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  1. Theatre and Evolution from Ibsen to Beckett by Kirsten E. Shepherd-Barr (review)
  2. Vivian Appler
  3. pp. 313-315
  4. DOI: 10.1353/ths.2017.0015
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  1. Rooms in Dramatic Realism by Fred Miller Robinson (review)
  2. Dorothy Chansky
  3. pp. 318-320
  4. DOI: 10.1353/ths.2017.0017
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  1. Offstage Voices: Life in Twin Cities Theater by Peg Guilfoyle (review)
  2. Eric J. Colleary
  3. pp. 320-322
  4. DOI: 10.1353/ths.2017.0018
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  1. Child Labor in the British Victorian Entertainment Industry, 1875–1914 by Dyan Colclough (review)
  2. Eileen Curley, Eileen Curley
  3. pp. 325-328
  4. DOI: 10.1353/ths.2017.0020
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  1. A Taste for Brown Bodies: Gay Modernity and Cosmopolitan Desire by Hiram Pérez (review)
  2. Darin Kerr, Darin Kerr
  3. pp. 328-330
  4. DOI: 10.1353/ths.2017.0021
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  1. Kitchen Sink Realisms: Domestic Labor, Dining, and Drama in American Theatre by Dorothy Chansky (review)
  2. Karin Maresh
  3. pp. 330-333
  4. DOI: 10.1353/ths.2017.0032
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  1. Playing God: The Bible on the Broadway Stage by Henry Bial (review)
  2. I. Bailey Mcdaniel
  3. pp. 333-336
  4. DOI: 10.1353/ths.2017.0022
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  1. Performance and Temporalisation: Time Happens eds. by Jodie McNeilly, and Maeva Veerapen (review)
  2. Julia Moriarty
  3. pp. 336-338
  4. DOI: 10.1353/ths.2017.0023
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  1. Seeing Sarah Bernhardt: Performance and Silent Film by Victoria Duckett (review)
  2. Laura M. Nelson
  3. pp. 339-341
  4. DOI: 10.1353/ths.2017.0024
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  1. American Tragedian: The Life of Edwin Booth by Daniel J. Watermeier (review)
  2. Michael A. Rothmayer
  3. pp. 341-343
  4. DOI: 10.1353/ths.2017.0025
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  1. Lincoln and Shakespeare by Michael Anderegg, and: Fortune's Fool: The Life of John Wilkes Booth by Terry Alford (review)
  2. Richard Sautter
  3. pp. 343-346
  4. DOI: 10.1353/ths.2017.0026
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  1. Childhood and Nineteenth-Century American Theatre: The Work of the Marsh Troupe of Juvenile Actors by Shauna Vey (review)
  2. Jeff Turner
  3. pp. 346-348
  4. DOI: 10.1353/ths.2017.0027
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  1. Victorian Classical Burlesques: A Critical Anthology by Laura Monrós-Gaspar (review)
  2. Elizabeth Wellman
  3. pp. 351-353
  4. DOI: 10.1353/ths.2017.0029
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  1. Introduction
  2. Sara Freeman
  3. pp. 1-3
  4. DOI: 10.1353/ths.2017.0000
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  1. New Writing and Theatre History: Introduction to the Special Section
  2. Sara Freeman
  3. pp. 115-128
  4. DOI: 10.1353/ths.2017.0005
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  1. Books Received
  2. pp. 355-356
  3. DOI: 10.1353/ths.2017.0030
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  1. Contributors
  2. pp. 357-360
  3. DOI: 10.1353/ths.2017.0031
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