restricted access   Volume 36, 2017

Table of Contents

Introduction

pp. 1-3
|

Part I Studies in Theatre History

Resisting Arlecchino's Mask: The Case of Marcello Moretti

pp. 7-28
|

Making Space for Performance: Theatrical-Architectural Nationalism in Postindependence Ghana

pp. 29-56
|

Preparing Boys for War: J. M. Barrie's Peter Pan Enlists in World War I's "Great Adventure"

pp. 57-74
|

Not Just Rock 'n' Roll: Chicago Theatre, 1984–1990

pp. 75-111
|

Part II Histories of New Writing for Theatre

New Writing and Theatre History: Introduction to the Special Section

pp. 115-128
|

New Plays in New Tongues: Bilingualism and Immigration at the New Italian Theatre in France

pp. 129-148
|

The Waterloo Summer of the Prince of Wales's Theatre: New Writing, Old Friends, and Early Realism in the Victorian Theatre

pp. 149-182
|

Chekhov's Three Sisters: A Proto-Poststructuralist Experiment

pp. 183-210
|

Historicizing Shakesfear and Translating Shakespeare Anew

pp. 211-230
|

A New Noble Kinsmen: The Play On! Project and Making New Plays Out of Old

pp. 231-247
|

Making New Theatre Together: The First Writers' Group at the Royal Court Theatre and Its Legacy within the Young Writers' Programme

pp. 248-265
|

New Writing in a Populist Context: A Play, a Pie and a Pint

pp. 266-285
|

American Playwriting and the Now New

pp. 286-298
|

Part III Essay from the Conference

Black Folks's Theatre to Black Lives Matter: The Black Revolution on Campus

pp. 301-309
|

Part IV Book Reviews

Theatre and Evolution from Ibsen to Beckett by Kirsten E. Shepherd-Barr (review)

pp. 313-315
|

American Traveling Tent Theatre, 1900–1940: Rural and Small Town Tent Show Plays Performed in the Midwest (Including Scripts of Popular Tent Theatricals) by Dawn Larsen and Richard L. Poole (review)

pp. 315-318
|

Rooms in Dramatic Realism by Fred Miller Robinson (review)

pp. 318-320
|

Offstage Voices: Life in Twin Cities Theater by Peg Guilfoyle (review)

pp. 320-322
|

Working in the Wings: New Perspectives on Theatre History and Labor eds. by Elizabeth A. Osborne and Christine Woodworth (review)

pp. 323-325
|

Child Labor in the British Victorian Entertainment Industry, 1875–1914 by Dyan Colclough (review)

pp. 325-328
|

A Taste for Brown Bodies: Gay Modernity and Cosmopolitan Desire by Hiram Pérez (review)

pp. 328-330
|

Kitchen Sink Realisms: Domestic Labor, Dining, and Drama in American Theatre by Dorothy Chansky (review)

pp. 330-333
|

Playing God: The Bible on the Broadway Stage by Henry Bial (review)

pp. 333-336
|

Performance and Temporalisation: Time Happens eds. by Jodie McNeilly, and Maeva Veerapen (review)

pp. 336-338
|

Seeing Sarah Bernhardt: Performance and Silent Film by Victoria Duckett (review)

pp. 339-341
|

American Tragedian: The Life of Edwin Booth by Daniel J. Watermeier (review)

pp. 341-343
|

Lincoln and Shakespeare by Michael Anderegg, and: Fortune's Fool: The Life of John Wilkes Booth by Terry Alford (review)

pp. 343-346
|

Childhood and Nineteenth-Century American Theatre: The Work of the Marsh Troupe of Juvenile Actors by Shauna Vey (review)

pp. 346-348
|

Early Modern Drama in Performance: Essays in Honor of Lois Potter ed. by Darlene Farabee, Mark Netzloff, and Bradley D. Ryner (review)

pp. 348-351
|

Victorian Classical Burlesques: A Critical Anthology by Laura Monrós-Gaspar (review)

pp. 351-353
|

Books Received

pp. 355-356
|

Contributors

pp. 357-360
|