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In this Issue

Table of Contents

  1. Musical Information in a New Land: Immigrant Music Journals in the United States Part One: 1838–1930
  2. Benjamin Knysak
  3. pp. 185-220
  4. DOI: https://doi.org/10.1353/not.2017.0104
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  1. “For the Good of Our Country”: Ruth Watanabe and the “Good that is in Music” at the Santa Anita Detention Center
  2. Alecia D. Barbour
  3. pp. 221-234
  4. DOI: https://doi.org/10.1353/not.2017.0105
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  1. Prices of Music Monographs and Scores as Reflected in Notes, 2011–2016
  2. Peter Munstedt
  3. pp. 235-242
  4. DOI: https://doi.org/10.1353/not.2017.0106
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  1. Notes for Notes
  3. pp. 243-245
  4. DOI: https://doi.org/10.1353/not.2017.0107
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Book Reviews, edited by Patricia Stroh

Russia and the Soviet Union

  1. Benjamin Britten and Russia by Cameron Pyke (review)
  2. Christopher Little
  3. pp. 246-248
  4. DOI: https://doi.org/10.1353/not.2017.0108
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  1. Classics for the Masses: Shaping Soviet Musical Identity under Lenin and Stalin by Pauline Fairclough (review)
  2. Judith Kuhn
  3. pp. 248-251
  4. DOI: https://doi.org/10.1353/not.2017.0109
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  1. Stalin’s Music Prize: Soviet Culture and Politics by Marina Frolova-Walker (review)
  2. James Taylor
  3. pp. 251-253
  4. DOI: https://doi.org/10.1353/not.2017.0110
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Music and Place

  1. Music of Azerbaijan: From Mugham to Opera by Aida Huseynova (review)
  2. Jeremy W. Foutz
  3. pp. 253-256
  4. DOI: https://doi.org/10.1353/not.2017.0111
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  1. A Latin American Music Reader: Views from the South ed. by Javier F. León and Helena Simonett (review)
  2. Kathryn Metz
  3. pp. 256-258
  4. DOI: https://doi.org/10.1353/not.2017.0112
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  1. Music in America’s Cold War Diplomacy by Danielle Fosler-Lussier (review)
  2. Lisa Cooper Vest
  3. pp. 258-260
  4. DOI: https://doi.org/10.1353/not.2017.0113
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Cultural Studies

  1. Soundtracks of Asian America: Navigating Race Through Musical Performance by Grace Wang (review)
  2. Meredith Schweig
  3. pp. 260-263
  4. DOI: https://doi.org/10.1353/not.2017.0114
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  1. Gender and Identity in Jazz ed. by Wolfram Knauer (review)
  2. Kimberly Beck Hieb
  3. pp. 263-265
  4. DOI: https://doi.org/10.1353/not.2017.0115
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  1. Jazz Worlds/World Jazz ed. by Philip V. Bohlman and Goffredo Plastino (review)
  2. Tom Greenland
  3. pp. 265-267
  4. DOI: https://doi.org/10.1353/not.2017.0116
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Opera and Song

  1. The Crafty Art of Opera: For Those Who Make It, Love It, or Hate It by Michael Hampe (review)
  2. Micaela Baranello
  3. pp. 267-269
  4. DOI: https://doi.org/10.1353/not.2017.0117
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  1. Creating Der Rosenkavalier: From Chevalier to Cavalier by Michael Reynolds (review)
  2. Joseph E. Jones
  3. pp. 269-271
  4. DOI: https://doi.org/10.1353/not.2017.0118
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  1. The Cambridge Companion to the Singer-Songwriter ed. by Katherine Williams and Justin A. Williams (review)
  2. Steven L. Rosenhaus
  3. pp. 271-274
  4. DOI: https://doi.org/10.1353/not.2017.0119
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Mozart and Schubert

  1. Mozart’s Music of Friends: Social Interplay in the Chamber Works by Edward Klorman (review)
  2. John Moran
  3. pp. 274-276
  4. DOI: https://doi.org/10.1353/not.2017.0120
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  1. Rethinking Schubert ed. by Lorraine Byrne Bodley and Julian Horton (review)
  2. Geoffrey Block
  3. pp. 276-279
  4. DOI: https://doi.org/10.1353/not.2017.0121
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Messiaen and Stockhausen

  1. Olivier Messiaen: Texts, Contexts, & Intertexts (1937–1948) by Richard D E Burton (review)
  2. Vincent P. Benitez
  3. pp. 279-281
  4. DOI: https://doi.org/10.1353/not.2017.0122
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  1. The Musical Legacy of Karlheinz Stockhausen: Looking Back and Forward ed. by M. J. Grant and Imke Misch (review)
  2. Paul V. Miller
  3. pp. 281-284
  4. DOI: https://doi.org/10.1353/not.2017.0123
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Music Education

  1. Remixing the Classroom: Toward an Open Philosophy of Music Education by Randall Everett Allsup (review)
  2. John Thomerson
  3. pp. 285-287
  4. DOI: https://doi.org/10.1353/not.2017.0124
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Books Recently Published, complied by James Procell and Matt Ertz

  1. Books Recently Published
  2. James Procell, Matt Ertz
  3. pp. 288-295
  4. DOI: https://doi.org/10.1353/not.2017.0125
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New Media Reviews, edited by Stephen Henry

  1. Avalon Media System (review)
  2. Jonathan Manton
  3. pp. 296-299
  4. DOI: https://doi.org/10.1353/not.2017.0126
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Music Reviews, edited by Keith Cochran

Sacred Music by Purcell

  1. Henry Purcell ed. by Margaret Laurie and Bruce Wood (review)
  2. Robert Shay
  3. pp. 300-303
  4. DOI: https://doi.org/10.1353/not.2017.0127
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Sacred Music from Eighteenth-Century Bolivia

  1. Un ciclo musical para la vida en la misión Jesuítica: Los cuadernos de ofertorios de San Rafael, Chiquitos (S.XVIII) ed. by Leonardo Waisman, and: Un ciclo musical para la vida en la misión Jesuítica: Los cuadernos de ofertorios de San Rafael, Chiquitos (S.XVIII) ed. by Leonardo Waisman, and: Un ciclo musical para la vida en la misión Jesuítica: Los cuadernos de ofertorios de San Rafael, Chiquitos (S.XVIII) ed. by Leonardo Waisman (review)
  2. Bernardo Illari
  3. pp. 303-309
  4. DOI: https://doi.org/10.1353/not.2017.0128
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Ossian and the Lied

  1. German Settings of Ossianic Texts, 1770–1815 ed. by Sarah Clemmens Waltz (review)
  2. Jennifer Ronyak
  3. pp. 309-314
  4. DOI: https://doi.org/10.1353/not.2017.0129
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A Scholarly Edition of Ernesto Nazareth’s Piano Music

  1. Ernesto Nazareth ed. by Alexandre Dias and Sarah Cohen (review)
  2. Rogério Budasz
  3. pp. 314-317
  4. DOI: https://doi.org/10.1353/not.2017.0130
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  1. Music Received
  2. Kathleen A. Abromeit
  3. pp. 318-328
  4. DOI: https://doi.org/10.1353/not.2017.0131
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  1. Index to Advertisers
  3. pp. 331-352
  4. DOI: https://doi.org/10.1353/not.2017.0132
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