In this Issue

Table of Contents

Musical Information in a New Land: Immigrant Music Journals in the United States Part One: 1838–1930

Benjamin Knysak
pp. 185-220
DOI: https://doi.org/10.1353/not.2017.0104
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“For the Good of Our Country”: Ruth Watanabe and the “Good that is in Music” at the Santa Anita Detention Center

Alecia D. Barbour
pp. 221-234
DOI: https://doi.org/10.1353/not.2017.0105
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Prices of Music Monographs and Scores as Reflected in Notes, 2011–2016

Peter Munstedt
pp. 235-242
DOI: https://doi.org/10.1353/not.2017.0106
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Notes for Notes

pp. 243-245
DOI: https://doi.org/10.1353/not.2017.0107
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Benjamin Britten and Russia by Cameron Pyke (review)

Christopher Little
pp. 246-248
DOI: https://doi.org/10.1353/not.2017.0108
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Classics for the Masses: Shaping Soviet Musical Identity under Lenin and Stalin by Pauline Fairclough (review)

Judith Kuhn
pp. 248-251
DOI: https://doi.org/10.1353/not.2017.0109
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Stalin’s Music Prize: Soviet Culture and Politics by Marina Frolova-Walker (review)

James Taylor
pp. 251-253
DOI: https://doi.org/10.1353/not.2017.0110
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Music of Azerbaijan: From Mugham to Opera by Aida Huseynova (review)

Jeremy W. Foutz
pp. 253-256
DOI: https://doi.org/10.1353/not.2017.0111
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A Latin American Music Reader: Views from the South ed. by Javier F. León and Helena Simonett (review)

Kathryn Metz
pp. 256-258
DOI: https://doi.org/10.1353/not.2017.0112
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Music in America’s Cold War Diplomacy by Danielle Fosler-Lussier (review)

Lisa Cooper Vest
pp. 258-260
DOI: https://doi.org/10.1353/not.2017.0113
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Soundtracks of Asian America: Navigating Race Through Musical Performance by Grace Wang (review)

Meredith Schweig
pp. 260-263
DOI: https://doi.org/10.1353/not.2017.0114
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Gender and Identity in Jazz ed. by Wolfram Knauer (review)

Kimberly Beck Hieb
pp. 263-265
DOI: https://doi.org/10.1353/not.2017.0115
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Jazz Worlds/World Jazz ed. by Philip V. Bohlman and Goffredo Plastino (review)

Tom Greenland
pp. 265-267
DOI: https://doi.org/10.1353/not.2017.0116
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The Crafty Art of Opera: For Those Who Make It, Love It, or Hate It by Michael Hampe (review)

Micaela Baranello
pp. 267-269
DOI: https://doi.org/10.1353/not.2017.0117
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Creating Der Rosenkavalier: From Chevalier to Cavalier by Michael Reynolds (review)

Joseph E. Jones
pp. 269-271
DOI: https://doi.org/10.1353/not.2017.0118
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The Cambridge Companion to the Singer-Songwriter ed. by Katherine Williams and Justin A. Williams (review)

Steven L. Rosenhaus
pp. 271-274
DOI: https://doi.org/10.1353/not.2017.0119
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Mozart’s Music of Friends: Social Interplay in the Chamber Works by Edward Klorman (review)

John Moran
pp. 274-276
DOI: https://doi.org/10.1353/not.2017.0120
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Rethinking Schubert ed. by Lorraine Byrne Bodley and Julian Horton (review)

Geoffrey Block
pp. 276-279
DOI: https://doi.org/10.1353/not.2017.0121
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Olivier Messiaen: Texts, Contexts, & Intertexts (1937–1948) by Richard D E Burton (review)

Vincent P. Benitez
pp. 279-281
DOI: https://doi.org/10.1353/not.2017.0122
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The Musical Legacy of Karlheinz Stockhausen: Looking Back and Forward ed. by M. J. Grant and Imke Misch (review)

Paul V. Miller
pp. 281-284
DOI: https://doi.org/10.1353/not.2017.0123
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Remixing the Classroom: Toward an Open Philosophy of Music Education by Randall Everett Allsup (review)

John Thomerson
pp. 285-287
DOI: https://doi.org/10.1353/not.2017.0124
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Books Recently Published

James Procell, Matt Ertz
pp. 288-295
DOI: https://doi.org/10.1353/not.2017.0125
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Avalon Media System (review)

Jonathan Manton
pp. 296-299
DOI: https://doi.org/10.1353/not.2017.0126
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Henry Purcell ed. by Margaret Laurie and Bruce Wood (review)

Robert Shay
pp. 300-303
DOI: https://doi.org/10.1353/not.2017.0127
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Un ciclo musical para la vida en la misión Jesuítica: Los cuadernos de ofertorios de San Rafael, Chiquitos (S.XVIII) ed. by Leonardo Waisman, and: Un ciclo musical para la vida en la misión Jesuítica: Los cuadernos de ofertorios de San Rafael, Chiquitos (S.XVIII) ed. by Leonardo Waisman, and: Un ciclo musical para la vida en la misión Jesuítica: Los cuadernos de ofertorios de San Rafael, Chiquitos (S.XVIII) ed. by Leonardo Waisman (review)

Bernardo Illari
pp. 303-309
DOI: https://doi.org/10.1353/not.2017.0128
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German Settings of Ossianic Texts, 1770–1815 ed. by Sarah Clemmens Waltz (review)

Jennifer Ronyak
pp. 309-314
DOI: https://doi.org/10.1353/not.2017.0129
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Ernesto Nazareth ed. by Alexandre Dias and Sarah Cohen (review)

Rogério Budasz
pp. 314-317
DOI: https://doi.org/10.1353/not.2017.0130
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Index to Advertisers

pp. 331-352
DOI: https://doi.org/10.1353/not.2017.0132
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Music Received

Kathleen A. Abromeit
pp. 318-328
DOI: https://doi.org/10.1353/not.2017.0131
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