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  1. Acoustic Sounds, “Uhh...Moab who?!” : Lessons 1–5
  2. Baseera Khan
  3. pp. 2-3
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  1. Here We Are Again: Performing the Temporality of the Brazilian Transition
  2. Marcos Steuernagel
  3. pp. 9-21
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  1. The Performative Utterance “I”: Theatricality and Subversion of Identity in the Works of Eyal Weiser
  2. Sharon Aronson-Lehavi
  3. pp. 22-39
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  1. Theatre of War: Commemorating World War I in Belgium
  2. Karel Vanhaesebrouck
  3. pp. 40-58
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  1. Fandom and Punchdrunk’s Sleep No More: Audience Ethnography of Immersive Dance
  2. Julia M. Ritter
  3. pp. 59-77
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  1. Transmitting, Transforming, and Documenting Dance in the Digital Environment: What Dance Does Now that It Didn’t Do Before
  2. Sarah Whatley
  3. pp. 78-95
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  1. Does the NEA Need Saving?
  2. Sarah Wilbur
  3. pp. 96-106
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  1. Stand By for Tape Back-Up
  2. Ross Sutherland
  3. pp. 107-127
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  1. In the Dark: Sex, Lies, and Fake News in Sam Gold’s Othello
  2. Alisa Zhulina Sniderman
  3. pp. 128-133
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  1. Exorcism, Autobiography, and Une Chambre en Inde: The Soleil Stages Terrorism and Much More
  2. Judith G. Miller, Rachel M. Watson
  3. pp. 133-141
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  1. Caught by Caught
  2. Richard Schechner
  3. pp. 141-146
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  1. Not Just Adult Entertainment: Milo Rau and CAMPO’s Collaborative Five Easy Pieces
  2. Debra Levine
  3. pp. 147-155
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  1. Reality and Fiction in Contemporary Television: The Case of Skam
  2. Connor Pearce
  3. pp. 156-161
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  1. Vanguard Performance Beyond Left and Right ed. by Kimberly Jannarone (review)
  2. Ryan M. Davis
  3. pp. 162-164
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  1. Embodied Avatars: Genealogies of Black Feminist Art and Performance by Uri McMillan (review)
  2. Gillian Turner Young
  3. pp. 165-166
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  1. Gesture and Power: Religion, Nationalism, and Everyday Performance in Congo by Yolanda Covington-Ward (review)
  2. Catherine M. Cole
  3. pp. 166-168
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  1. Obstruction by Nick Salvato (review)
  2. Erin Hurley
  3. pp. 169-170
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  1. Concerning Consequences: Studies in Art, Destruction, and Trauma by Kristine Stiles (review)
  2. Anna Harpin
  3. pp. 170-172
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  1. Queer Dramaturgies: International Perspectives on Where Performance Leads Queer ed. by Alyson Campbell and Stephen Farrier (review)
  2. Nevarez Encinias
  3. pp. 172-174
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  1. Tactical Performance: The Theory and Practice of Serious Play by L.M. Bogad (review)
  2. Elyssa Livergant
  3. pp. 174-176
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  1. Come home Charley Patton by Ralph Lemon, and: Dramaturgy in Motion: At Work on Dance and Movement Performance by Katherine Profeta (review)
  2. Branislav Jakovljevic
  3. pp. 176-180
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  1. Voices from Within: Grotowski’s Polish Collaborators ed. by Paul Allain and Grzegorz Ziółkowski, and: Acting with Grotowski: Theatre as a Field for Experiencing Life by Zbigniew Cynkutis (review)
  2. Allen J. Kuharski
  3. pp. 180-183
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  1. Cultural Responses to Occupation in Japan: The Performing Body During and After the Cold War by Adam Broinowski, and: Learning to Kneel: Noh, Modernism, and Journeys in Teaching by Carrie J. Preston, and: Flowers Cracking Concrete: Eiko & Koma’s Asian/American Choreographies by Rosemary Candelario, and: Beat Drama: Playwrights and Performances of the “Howl” Generation ed. by Deborah R. Geis, and: Antonin Artaud by David A. Shafer, and: Ruth Maleczech at Mabou Mines: Woman’s Work by Jessica Silsby Brater (review)
  2. John Oglevee
  3. pp. 183-186
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  1. Reclaiming the Real: Introduction
  2. Carol Martin
  3. p. 8
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