In this Issue
TDR provides scholarship on performances and their social, economic and political contexts. With an emphasis on the experimental, avant-garde, intercultural and interdisciplinary, it covers dance theatre, performance art, popular entertainment, media, sports, rituals and performance in politics and everyday life.
published by
The MIT Pressviewing issue
Volume 61, Number 4, Winter 2017 (T236)Table of Contents
pp. 9-21
The Performative Utterance “I”: Theatricality and Subversion of Identity in the Works of Eyal Weiser
pp. 22-39
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pp. 59-77
pp. 78-95
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View Transmitting, Transforming, and Documenting Dance in the Digital Environment: What Dance Does Now that It Didn’t Do Before
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Transmitting, Transforming, and Documenting Dance in the Digital Environment: What Dance Does Now that It Didn’t Do Before
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pp. 133-141
pp. 147-155
pp. 162-164
pp. 165-166
pp. 166-168
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View Gesture and Power: Religion, Nationalism, and Everyday Performance in Congo by Yolanda Covington-Ward (review)
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Gesture and Power: Religion, Nationalism, and Everyday Performance in Congo by Yolanda Covington-Ward (review)
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pp. 170-172
pp. 172-174
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View Queer Dramaturgies: International Perspectives on Where Performance Leads Queer ed. by Alyson Campbell and Stephen Farrier (review)
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Queer Dramaturgies: International Perspectives on Where Performance Leads Queer ed. by Alyson Campbell and Stephen Farrier (review)
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pp. 174-176
pp. 176-180
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View Come home Charley Patton by Ralph Lemon, and: Dramaturgy in Motion: At Work on Dance and Movement Performance by Katherine Profeta (review)
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Come home Charley Patton by Ralph Lemon, and: Dramaturgy in Motion: At Work on Dance and Movement Performance by Katherine Profeta (review)
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pp. 180-183
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View Voices from Within: Grotowski’s Polish Collaborators ed. by Paul Allain and Grzegorz Ziółkowski, and: Acting with Grotowski: Theatre as a Field for Experiencing Life by Zbigniew Cynkutis (review)
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Voices from Within: Grotowski’s Polish Collaborators ed. by Paul Allain and Grzegorz Ziółkowski, and: Acting with Grotowski: Theatre as a Field for Experiencing Life by Zbigniew Cynkutis (review)
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pp. 183-186
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View Cultural Responses to Occupation in Japan: The Performing Body During and After the Cold War by Adam Broinowski, and: Learning to Kneel: Noh, Modernism, and Journeys in Teaching by Carrie J. Preston, and: Flowers Cracking Concrete: Eiko & Koma’s Asian/American Choreographies by Rosemary Candelario, and: Beat Drama: Playwrights and Performances of the “Howl” Generation ed. by Deborah R. Geis, and: Antonin Artaud by David A. Shafer, and: Ruth Maleczech at Mabou Mines: Woman’s Work by Jessica Silsby Brater (review)
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Cultural Responses to Occupation in Japan: The Performing Body During and After the Cold War by Adam Broinowski, and: Learning to Kneel: Noh, Modernism, and Journeys in Teaching by Carrie J. Preston, and: Flowers Cracking Concrete: Eiko & Koma’s Asian/American Choreographies by Rosemary Candelario, and: Beat Drama: Playwrights and Performances of the “Howl” Generation ed. by Deborah R. Geis, and: Antonin Artaud by David A. Shafer, and: Ruth Maleczech at Mabou Mines: Woman’s Work by Jessica Silsby Brater (review)
- Save Cultural Responses to Occupation in Japan: The Performing Body During and After the Cold War by Adam Broinowski, and: Learning to Kneel: Noh, Modernism, and Journeys in Teaching by Carrie J. Preston, and: Flowers Cracking Concrete: Eiko & Koma’s Asian/American Choreographies by Rosemary Candelario, and: Beat Drama: Playwrights and Performances of the “Howl” Generation ed. by Deborah R. Geis, and: Antonin Artaud by David A. Shafer, and: Ruth Maleczech at Mabou Mines: Woman’s Work by Jessica Silsby Brater (review)
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| ISSN | 1531-4715 |
|---|---|
| Print ISSN | 1054-2043 |
| Launched on MUSE | 2017-11-21 |
| Open Access | No |
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Copyright © New York University and the Massachusetts Institute of Technology.
