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Table of Contents

  1. Editor's Note
  2. Carolyn Kuebler
  3. pp. 6-7
  4. DOI: https://doi.org/10.1353/ner.2017.0073
  5. restricted access
  1. Memory-Wax, Knowledge-Bird
  2. Dan Beachy-Quick
  3. pp. 8-11
  4. DOI: https://doi.org/10.1353/ner.2017.0079
  5. restricted access
  1. No One But Us
  2. Megan Staffel
  3. pp. 12-24
  4. DOI: https://doi.org/10.1353/ner.2017.0066
  5. restricted access
  1. Leash, and: Horn of Plenty
  2. Paisley Rekdal
  3. pp. 25-28
  4. DOI: https://doi.org/10.1353/ner.2017.0081
  5. restricted access
  1. Another field, and: Decaying to more
  2. Janet Kauffman
  3. pp. 29-30
  4. DOI: https://doi.org/10.1353/ner.2017.0082
  5. restricted access
  1. Havoc
  2. Eric McMillan
  3. pp. 31-41
  4. DOI: https://doi.org/10.1353/ner.2017.0083
  5. restricted access
  1. After the Pulse Orlando Shooting, My Wife Asks if We Can Eat at Chick-fil-A
  2. Caroline M. Mar
  3. p. 42
  4. DOI: https://doi.org/10.1353/ner.2017.0068
  5. restricted access
  1. My Heavy Daughter
  2. Joshua Kryah
  3. pp. 43-46
  4. DOI: https://doi.org/10.1353/ner.2017.0085
  5. restricted access
  1. from The House in Scarsdale: A Memoir for the Stage
  2. Dan O'Brien
  3. pp. 47-73
  4. DOI: https://doi.org/10.1353/ner.2017.0077
  5. restricted access
  1. The Doll Family
  2. Rosaleen Bertolino
  3. pp. 74-76
  4. DOI: https://doi.org/10.1353/ner.2017.0064
  5. restricted access
  1. Obit—Memory, and: Obit—Music, and: Obit—Grief
  2. Victoria Chang
  3. pp. 77-79
  4. DOI: https://doi.org/10.1353/ner.2017.0062
  5. restricted access
  1. Which Would You Prefer, a Story or an Explanation? and: Maybe a Hero Is Crossing the Mountains
  2. Tony Hoagland
  3. pp. 80-82
  4. DOI: https://doi.org/10.1353/ner.2017.0069
  5. restricted access
  1. Necessary Violence
  2. Louise Aronson
  3. pp. 83-96
  4. DOI: https://doi.org/10.1353/ner.2017.0065
  5. restricted access
  1. My Daughter Would
  2. Benjamin S. Grossberg
  3. pp. 97-98
  4. DOI: https://doi.org/10.1353/ner.2017.0075
  5. restricted access
  1. The Hour of the Wolf
  2. Stefany Anne Golberg
  3. pp. 99-110
  4. DOI: https://doi.org/10.1353/ner.2017.0063
  5. restricted access
  1. Rail
  2. Kai Carlson-Wee
  3. p. 111
  4. DOI: https://doi.org/10.1353/ner.2017.0067
  5. restricted access
  1. Expecting
  2. Steven Heighton
  3. pp. 112-124
  4. DOI: https://doi.org/10.1353/ner.2017.0060
  5. restricted access
  1. Blanket, and: Light
  2. Landon Godfrey
  3. pp. 125-126
  4. DOI: https://doi.org/10.1353/ner.2017.0084
  5. restricted access
  1. On Stendhal (Henri Beyle)
  2. Paul Bourget
  3. pp. 127-152
  4. DOI: https://doi.org/10.1353/ner.2017.0076
  5. restricted access
  1. Henry Moore
  2. Krystyna Dąbrowska
  3. p. 153
  4. DOI: https://doi.org/10.1353/ner.2017.0080
  5. restricted access
  1. My Own Private Stromboli
  2. Laura Kolbe
  3. pp. 154-160
  4. DOI: https://doi.org/10.1353/ner.2017.0070
  5. restricted access
  1. Tower
  2. Greg Wrenn
  3. pp. 161-162
  4. DOI: https://doi.org/10.1353/ner.2017.0061
  5. restricted access
  1. Insofar
  2. Sarah Gridley
  3. pp. 163-164
  4. DOI: https://doi.org/10.1353/ner.2017.0074
  5. restricted access
  1. Trouble and Consolation: Writing the Gay Rural
  2. Bruce Snider
  3. pp. 165-173
  4. DOI: https://doi.org/10.1353/ner.2017.0072
  5. restricted access
  1. A Violinist at the Front
  2. Fritz Kreisler
  3. pp. 174-182
  4. DOI: https://doi.org/10.1353/ner.2017.0078
  5. restricted access
  1. Contributors' Notes
  2. pp. 183-187
  3. DOI: https://doi.org/10.1353/ner.2017.0071
  4. restricted access