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In this Issue

Table of Contents

  1. Editors' Foreword
  2. Donald Crafton, Susan Ohmer
  3. pp. vii-xi
  4. DOI: https://doi.org/10.5749/movingimage.17.1.0vii
  5. restricted access

Features

  1. Film Lecturing On Behalf Of The National Audubon Society: Roger Tory Peterson's Wild America
  2. Carol Donelan
  3. pp. 1-28
  4. DOI: https://doi.org/10.5749/movingimage.17.1.0001
  5. restricted access
  1. Building a DIY Genre Film Festivals Web Resource to Empower Digital Scholarship and Cultural Heritage Participation
  2. L. Rath Lindal
  3. pp. 29-51
  4. restricted access
  1. Risen from the Ashes: The Complex Print History of Carl Dreyer's The Passion of Joan of Arc (1928)
  2. Stephen Larson
  3. pp. 52-84
  4. DOI: https://doi.org/10.5749/movingimage.17.1.0052
  5. free access
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  1. David Shepard (1940–2017)
  2. Jan-Christopher Horak
  3. pp. 85-88
  4. DOI: https://doi.org/10.5749/movingimage.17.1.0085
  5. restricted access
  1. David Shepard: Excerpts from an Oral History
  2. Ed Carter, David Shepard
  3. pp. 89-121
  4. DOI: https://doi.org/10.5749/movingimage.17.1.0089
  5. restricted access
  1. Remembering David Shepard
  2. Kevin Brownlow, N. Ciccone, Patrick Loughney, Mike Mashon, David Pierce, Pamela Wintle
  3. pp. 122-129
  4. DOI: https://doi.org/10.5749/movingimage.17.1.0122
  5. restricted access

Forum

  1. The "Flickering Truth" of Film Archives: An Interview with Pietra Brettkelly
  2. Susan Ohmer, Donald Crafton, Pietra Brettkelly
  3. pp. 130-142
  4. DOI: https://doi.org/10.5749/movingimage.17.1.0130
  5. restricted access
  1. Memories Of Media: An Interview With Carine Tardieu
  2. Tim Palmer
  3. pp. 142-150
  4. DOI: https://doi.org/10.5749/movingimage.17.1.0142
  5. restricted access

Books

  1. Saul Bass: Anatomy of Film Design by Jan-Christopher Horak (review)
  2. Julie A. Turnock
  3. pp. 151-154
  4. restricted access
  1. The Oxford Book of Screendance Studies ed. by Douglas Rosenberg (review)
  2. Karen Backstein
  3. pp. 154-156
  4. restricted access
  1. The Arclight Guidebook to Media History and the Digital Humanities ed. by Charles R. Acland and Eric Hoyt (review)
  2. Liza Palmer
  3. pp. 156-161
  4. restricted access
  1. The Promise of Cinema: German Film Theory, 1907–1933 ed. by Anton Kaes, Nicholas Baer, and Michael Cowan (review)
  2. Alexander Erik Larsen
  3. pp. 161-163
  4. restricted access
  1. Wirtualne Ciało Sztuki: Ochrona i Udoste˛pnianie Dziel Audiowizualnych by Elżbieta Wysocka (review)
  2. Hanna B. Hölling
  3. pp. 163-166
  4. restricted access