In this Issue

Table of Contents

Film Lecturing On Behalf Of The National Audubon Society: Roger Tory Peterson's Wild America

Carol Donelan
pp. 1-28
DOI: https://doi.org/10.5749/movingimage.17.1.0001
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Building a DIY Genre Film Festivals Web Resource to Empower Digital Scholarship and Cultural Heritage Participation

L. Rath Lindal
pp. 29-51
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Risen from the Ashes: The Complex Print History of Carl Dreyer's The Passion of Joan of Arc (1928)

Stephen Larson
pp. 52-84
DOI: https://doi.org/10.5749/movingimage.17.1.0052
free access

David Shepard (1940–2017)

Jan-Christopher Horak
pp. 85-88
DOI: https://doi.org/10.5749/movingimage.17.1.0085
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David Shepard: Excerpts from an Oral History

Ed Carter, David Shepard
pp. 89-121
DOI: https://doi.org/10.5749/movingimage.17.1.0089
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Remembering David Shepard

Kevin Brownlow, N. Ciccone, Patrick Loughney, Mike Mashon, David Pierce, Pamela Wintle
pp. 122-129
DOI: https://doi.org/10.5749/movingimage.17.1.0122
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The "Flickering Truth" of Film Archives: An Interview with Pietra Brettkelly

Susan Ohmer, Donald Crafton, Pietra Brettkelly
pp. 130-142
DOI: https://doi.org/10.5749/movingimage.17.1.0130
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Memories Of Media: An Interview With Carine Tardieu

Tim Palmer
pp. 142-150
DOI: https://doi.org/10.5749/movingimage.17.1.0142
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Saul Bass: Anatomy of Film Design by Jan-Christopher Horak (review)

Julie A. Turnock
pp. 151-154
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The Oxford Book of Screendance Studies ed. by Douglas Rosenberg (review)

Karen Backstein
pp. 154-156
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The Arclight Guidebook to Media History and the Digital Humanities ed. by Charles R. Acland and Eric Hoyt (review)

Liza Palmer
pp. 156-161
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The Promise of Cinema: German Film Theory, 1907–1933 ed. by Anton Kaes, Nicholas Baer, and Michael Cowan (review)

Alexander Erik Larsen
pp. 161-163
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Wirtualne Ciało Sztuki: Ochrona i Udoste˛pnianie Dziel Audiowizualnych by Elżbieta Wysocka (review)

Hanna B. Hölling
pp. 163-166
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Editors' Foreword

Donald Crafton, Susan Ohmer
pp. vii-xi
DOI: https://doi.org/10.5749/movingimage.17.1.0vii
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