In this Issue

Table of Contents

“Still Another Judith”: Protest and Performance in Brian Friel’s Film Adaptation of The Lonely Passion of Judith Hearne

Reid Echols
pp. 252-277
DOI: https://doi.org/10.1353/cdr.2017.0024
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The Liberal Trial Play: Notes toward the Formation of a Genre

Alexander Feldman
pp. 278-305
DOI: https://doi.org/10.1353/cdr.2017.0025
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The Extreme Right and the Limits of Liberal Tolerance in David Greig’s The Events and Chris Thorpe’s Confirmation

James Hudson
pp. 306-337
DOI: https://doi.org/10.1353/cdr.2017.0026
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Witnessing the Trauma of Our Town

Robert Vork
pp. 338-363
DOI: https://doi.org/10.1353/cdr.2017.0027
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Esmoreit and Lippijn: A New Translation for Performance of Two Plays from the Van Hulthem Manuscript

Mandy L. Albert
pp. 364-367
DOI: https://doi.org/10.1353/cdr.2017.0028
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Esmoreit and Lippijn

Mandy L. Albert
p. 368
DOI: https://doi.org/10.1353/cdr.2017.0035
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A goodly play about Esmoreit Of Sicily, the king’s son, And a farce to follow thereafter

pp. 369-404
DOI: https://doi.org/10.1353/cdr.2017.0036
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Lippijn: A farce to follow Esmoreit

pp. 405-413
DOI: https://doi.org/10.1353/cdr.2017.0037
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Sensory Experience and the Metropolis on the Jacobean Stage (1603–1625) by Hristomir A. Stanev (review)

Natalie Katerina Eschenbaum
pp. 414-417
DOI: https://doi.org/10.1353/cdr.2017.0029
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Tragedy and Trauma in the Plays of Christopher Marlowe by Mathew R. Martin (review)

Zackariah Long
pp. 417-420
DOI: https://doi.org/10.1353/cdr.2017.0030
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Susan Glaspell’s Poetics and Politics of Rebellion by Emeline Jouve (review)

Veronica Makowsky
pp. 421-423
DOI: https://doi.org/10.1353/cdr.2017.0031
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Sam Shepard and the Aesthetics of Performance by Emma Creedon (review)

Shannon Blake Skelton
pp. 424-427
DOI: https://doi.org/10.1353/cdr.2017.0032
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Brief Notices

pp. 428-430
DOI: https://doi.org/10.1353/cdr.2017.0033
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Contributors

pp. 432-433
DOI: https://doi.org/10.1353/cdr.2017.0034
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