1. A Note from the New Editors
  2. Carina Ray, Kofi Baku
  3. pp. 1-2
  4. DOI: 10.1353/ghs.2017.0000
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  1. Praxis, Perspectives, and Methods of Ghanaian Popular Music: A Special Issue in Honor of John Collins
  2. Nate Plageman, Jesse Weaver Shipley
  3. pp. 3-12
  4. DOI: 10.1353/ghs.2017.0001
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  1. John Collins: Highlife's Accidental Archivist
  2. Catherine M. Cole
  3. pp. 13-19
  4. DOI: 10.1353/ghs.2017.0002
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  1. Building "A Home Away from Home": Musical Spaces and Diasporic "Feedback" from London to Accra, 1950s–1980s
  2. Alison Okuda
  3. pp. 20-44
  4. DOI: 10.1353/ghs.2017.0003
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  1. "Worshipping in My Head": Everyday Devotional Practices and Disciplines of Listening among Ghanaian Christians
  2. Florian Carl
  3. pp. 45-69
  4. DOI: 10.1353/ghs.2017.0004
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  1. "Kekeli Nedo!": The Influence of the Church on Musical Practices in Ghana
  2. Eyram Fiagbedzi
  3. pp. 70-92
  4. DOI: 10.1353/ghs.2017.0005
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  1. Retuning Imperial Intentions: The Gold Coast Police Band, West African Students, and a 1947 Tour of Great Britain
  2. Nate Plageman
  3. pp. 111-139
  4. DOI: 10.1353/ghs.2017.0007
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  1. From Primitivism to Pan-Africanism: Remaking Modernist Aesthetics in Postcolonial Nigeria
  2. Jesse Weaver Shipley
  3. pp. 140-174
  4. DOI: 10.1353/ghs.2017.0008
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  1. Popular Performance and Culture in Ghana*: The Past 50 Years
  2. John Collins
  3. pp. 175-219
  4. DOI: 10.1353/ghs.2017.0009
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  1. Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana by Steven Feld (review)
  2. Karl J. Haas
  3. pp. 221-223
  4. DOI: 10.1353/ghs.2017.0010
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  1. Highlife Saturday Night: Popular Music and Social Change in Urban Ghana by Nate Plageman (review)
  2. Marceline Saibou
  3. pp. 223-225
  4. DOI: 10.1353/ghs.2017.0011
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  1. Contributors
  2. p. 231
  3. DOI: 10.1353/ghs.2017.0013
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