1. “What Happens When...?”: A Meditation on Experimentation and Communication in Practices of Artistic Research
  2. Natalia Esling
  3. pp. 9-13
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  1. Work Quickly but Think Slowly
  2. Brian Quirt
  3. pp. 14-17
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  1. Connective Tissue: Practice as Research in Cross-disciplinary Research Collaborations
  2. Pil Hansen
  3. pp. 18-22
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  1. The Larval Journey
  2. Peter Balkwill
  3. pp. 23-27
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  1. “[So] What Do Dancers Know, [Anyway]?”: Voicing the Dancer’s Perspective through Emergent Choreographic Analysis
  2. P. Megan Andrews
  3. pp. 28-32
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  1. A Way to Work on My Problem without Knowing What It Is
  2. Evan Webber
  3. pp. 33-36
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  1. Rhythm and Rumination: A Three-Course Conversation
  2. Natalie Doonan
  3. pp. 37-41
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  1. Of Puppets and Prototypes—Proposals for an Intermedial Performance Design Practice
  2. Richard C. Windeyer
  3. pp. 42-47
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  1. The Invisible Opportunity: All the Light We Cannot See (in Research)
  2. Jessica Watkin
  3. pp. 48-51
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  1. To ‘Hack’ and Back: The Professional Actor as Researcher
  2. Martin Julien
  3. pp. 52-54
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  1. Photo Collection
  2. Aria Evans
  3. pp. 55-57
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  1. A Practitioner’s Attempt at Quantifying the Actor’s Experience
  2. Christine Brubaker
  3. pp. 58-62
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  1. Practice and Research: A Report from the Academy
  2. Patrick Blenkarn, Cole Lewis, Ker Wells
  3. pp. 63-67
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  1. Listening to Animals: Interspecies Understandings through Performance-Based Research
  2. Kimber Sider
  3. pp. 68-72
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  1. Interactive Research: Media | Animator | Performer
  2. Gwenyth Dobie, William Mackwood
  3. pp. 73-76
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  1. The Making of Making Treaty 7: A Practical, Philosophical and Ideological Templatefor Intercultural Collaboration
  2. Troy Emery Twigg, Kris Demeanor, Bruce Barton
  3. pp. 82-86
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  1. Artistic Research: An Articulation
  2. Kimber Sider, Ker Wells, Natalie Doonan, P. Megan Andrews, Peter Balkwill, Christine Brubaker, Martin Julien
  3. pp. 87-97
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  1. Editorial
  2. Jenn Stephenson
  3. pp. 98-99
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  1. You’re Invited, Canada: What I learned about making theatre from The Tragically Hip
  2. Mariah Horner
  3. pp. 100-104
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  1. Kiviuq Returns: A Collaborative and Decolonized Process for Creating Inuit Theatre
  2. Ellen Hamilton
  3. pp. 105-109
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  1. A New Vision for Intercultural Theatre Practice: From Toronto to London to Cairo with First Draft
  2. Coleen Shirin MacPherson
  3. pp. 110-114
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  1. Curating a Theatrical Commons
  2. P. Carl
  3. pp. 115-118
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  1. Intermission and the Revolution of Audience Communication
  2. Philip Riccio
  3. pp. 119-122
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  1. “Introduction: Ahr-tik-yuh-leay-ting Ahr-tis-tik Ree-surch”
  2. Bruce Barton
  3. pp. 5-8
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