In this Issue

Table of Contents

'Música Para Los Reconciliados': Music, Emotion, and Inquisitorial Autos de Fe' in Early Modern Hispanic Cities

Ascension Mazuela-Anguita
pp. 175-203
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Brahms's Non-Strophic Settings of Stanzaic Poetry

Robert Snarrenberg
pp. 204-231
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Jenny Lind, Voice, Celebrity

Francesca Vella
pp. 232-254
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Hearing the Music of Others: Pierre Schaeffer's Humanist Interdiscipline

Patrick Valiquet
pp. 255-279
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The New State of Play in Performance Studies

Ian Pace
pp. 281-292
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Of Chronicles and Kings: National Saints and the Emergence of National States in the High Middle Ages ed. by John Bergsagel, David Hiley, and Thomas Riis (review)

Matthew Cheung Salisbury
pp. 293-294
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Nation and Classical Music: From Handel to Copland by Matthew Riley and Anthony D. Smith (review)

Brian Christopher Thompson
pp. 294-296
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Mozart's Music of Friends: Social Interplay in the Chamber Works by Edward Klorman (review)

Nancy November
pp. 296-298
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Greek Orthodox Music in Ottoman Istanbul: Nation and Community in the Era of Reform by Merih Erol (review)

Alexander Lingas
pp. 298-300
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Opera and Modern Spectatorship in Late Nineteenth-Century Italy by Alessandra Campana (review)

Laura Protano-Biggs
pp. 300-303
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Parisian Music-Hall Ballet, 1871–1913 by Sarah Gutsche-Miller (review)

Helena Kopchick Spencer
pp. 303-305
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Hildegard of Bingen and Musical Reception: The Modern Revival of a Medieval Composer by Jennifer Bain (review)

Margot Fassler
pp. 306-308
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Rounding Wagner's Mountain: Richard Strauss and Modern German Opera by Bryan Gilliam (review)

David Larkin
pp. 308-311
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Creating Der Rosenkavalier: From Chevalier to Cavalier by Michael Reynolds (review)

Philip Graydon
pp. 311-313
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Der junge Webern: Texte und Kontexte ed. by Thomas Ahrend and Matthias Schmidt (review)

Sebastian Wedler
pp. 313-315
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Music, Art and Diplomacy: East–West Cultural Interactions and the Cold War ed. by Simo Mikkonen and Pekka Suutari (review)

M. J. Grant
pp. 315-317
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Beyond Britten: The Composer and the Community ed. by Peter Wiegold and Ghislaine Kenyon (review)

Justin Vickers
pp. 317-318
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Music and Irish Identity: Celtic Tiger Blues by Gerry Smyth (review)

Timothy M. Love
pp. 318-320
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The Revolution Will not Be Televised: Protest Music after Fukushima by Noriko Manabe (review)

John Street
pp. 320-322
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Performing Civility: International Competitions in Classical Music by Lisa McCormick (review)

Stephen Cottrell
pp. 322-324
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Experimental Music since 1970 by Jennie Gottschalk (review)

Lauren Redhead
pp. 324-325
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Thomas Adès: Asyla by Edward Venn (review)

Alexi Vellianitis
pp. 326-328
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Audible Empire: Music, Global Politics, Critique ed. by Ronald Radano and Tejumola Olaniyan (review)

Slndhumathi Revuluri
pp. 328-331
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She is Cuba: A Genealogy of the Mulata Body by Melissa Blanco Borelli, and: Spirit Song: Afro-Brazilian Religious Music and Boundaries by Marc Gidal (review)

Kariann Goldschmitt
pp. 331-333
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The Oxford Handbook of Dance and Theater ed. by Nadine George-Graves (review)

Maribeth Clark
pp. 333-335
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'Music & Letters' Awards

p. 338
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Authors of Articles in This Issue

p. 338
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The New State of Play in Performance Studies

Ian Pace
p. 341
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Jenny Lind, Voice, Celebrity

Francesca Francesca
p. 342
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Books Received

pp. 339-340
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