In this Issue
This literary gem, the rebirth of a short-lived review from the mid-twentieth century, publishes the finest in contemporary letters. Featuring fiction, poetry, memoirs, essays on literature, drama, film, the visual arts, music and dance, The Hopkins Review has been called a "postmodern blend of intellectual heft and Vaudeville" by Susan McCallum-Smith of WYPR and Urbanite magazine. Contributors include literary and scholarly heavyweights such as Max Apple, John Barth, Donald Barthelme, Millard Kaufman, Frank Kermode, and many others.
published byJohns Hopkins University Press
viewing issueVolume 10, Number 4, Fall 2017
Table of Contents
- "Matisse/Diebenkorn" At the Baltimore Museum of Art
- pp. 568-579
- DOI: 10.1353/thr.2017.0111
- Kitty Foyle dir. by Sam Wood, and: Summer Interlude dir. by Ingmar Bergman, and: The Rules of the Game dir. by Jean Renoir, and: Le Doulos dir. by Jean-Pierre Melville, and: The Servant dir. by Joseph Losey, and: Seven Years Bad Luck dir. by Max Linder, and: Possessed dir. by Clarence Brown (review)
- pp. 609-617
- DOI: 10.1353/thr.2017.0117
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