In this Issue
Publishing since 1977, Indiana Theory Review provides a venue for creative and imaginative articles on music theory, a forum for the thoughtful exchange of ideas and directions in the field through letters and editorial comments, and an opportunity for review of books and periodicals dealing with a variety of music subjects. Formerly semiannual prior to volume 37, each annual peer-reviewed issue showcases the basic philosophy of sound scholarship and high quality performance as the hallmarks of superior music education. Indiana Theory Review is sponsored by Indiana University’s Jacobs School of Music, its Department of Music Theory, and the Graduate Theory Association.
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Indiana University Pressviewing issue
Volume 33, Numbers 1 & 2, Spring & Fall 2017Table of Contents
pp. 1-35
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View Samuel Coleridge-Taylor’s Symphonic Variations on an African Air, op. 63: Form, Techniques, Topics
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Samuel Coleridge-Taylor’s Symphonic Variations on an African Air, op. 63: Form, Techniques, Topics
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pp. 36-68
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View A Pedagogical and Psychological Challenge: Teaching Post-Tonal Music to Twenty-First-Century Students
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A Pedagogical and Psychological Challenge: Teaching Post-Tonal Music to Twenty-First-Century Students
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pp. 77-132
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View Cultivating the Seed: The Compositional History of the Solo ’Cello Part in Chou Wen-chung’s Concerto for Violoncello and Orchestra
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Cultivating the Seed: The Compositional History of the Solo ’Cello Part in Chou Wen-chung’s Concerto for Violoncello and Orchestra
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pp. 133-152
pp. 153-183
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| ISSN | 2474-7777 |
|---|---|
| Print ISSN | 0271-8022 |
| Launched on MUSE | 2018-01-01 |
| Open Access | No |
