1. Pleasure Reading
  2. p. 193
  3. DOI: 10.1353/jnc.2017.0011
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  1. "I Can Dig It": Kate Beaton's C19 Punch Lines
  2. Sarah Sillin
  3. pp. 194-204
  4. DOI: 10.1353/jnc.2017.0012
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  1. George Lippard's "Theatre of Hell": Apocalyptic Melodrama and Working-Class Spectatorship in the Quaker City
  2. Michael D'Alessandro
  3. pp. 205-237
  4. DOI: 10.1353/jnc.2017.0013
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  1. "Fit to Be Free": From Race to Capacity in Jewett's "Mistress of Sydenham Plantation"
  2. Vesna Kuiken
  3. pp. 239-266
  4. DOI: 10.1353/jnc.2017.0014
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  1. Emerson's Memory Loss
  2. Christopher Hanlon
  3. pp. 267-292
  4. DOI: 10.1353/jnc.2017.0015
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  1. Big Cats and the Femme Fatale in Yda H. Addis's "A Human Tigress"
  2. Rene H. Treviño
  3. pp. 293-308
  4. DOI: 10.1353/jnc.2017.0016
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  1. Debilitating Courtesies: Tracking Rights in Our Nig and Commonwealth v. Aves
  2. Rachel Banner
  3. pp. 309-339
  4. DOI: 10.1353/jnc.2017.0017
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  1. Rethinking Regionalism: Sarah Orne Jewett's Mental Landscapes
  2. Stuart Burrows
  3. pp. 341-359
  4. DOI: 10.1353/jnc.2017.0018
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  1. A Democracy, If You Can Keep It
  2. Danielle Allen
  3. pp. 368-374
  4. DOI: 10.1353/jnc.2017.0020
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  1. Democracy in Las Américas
  2. James E. Sanders
  3. pp. 374-381
  4. DOI: 10.1353/jnc.2017.0021
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  1. Democracy's False Choice: The Reform-Revolution Dilemma
  2. Kelvin C. Black
  3. pp. 381-388
  4. DOI: 10.1353/jnc.2017.0022
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  1. Democracy and Discussion: Albion Tourgée on Race and the Town Meeting Ideal1
  2. Sandra M. Gustafson
  3. pp. 389-396
  4. DOI: 10.1353/jnc.2017.0023
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  1. Democracy and Disgust
  2. Jason Frank
  3. pp. 396-403
  4. DOI: 10.1353/jnc.2017.0024
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  1. Farewell
  2. Chris Castiglia, Dana Nelson
  3. pp. 405-406
  4. DOI: 10.1353/jnc.2017.0025
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  1. Contributor Biographies
  2. pp. 407-409
  3. DOI: 10.1353/jnc.2017.0026
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  1. Introduction
  2. D. Berton Emerson, Gregory Laski
  3. pp. 361-368
  4. DOI: 10.1353/jnc.2017.0019
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