In this Issue

Table of Contents

Mad Max: between apocalypse and utopia

Dan Hassler-Forest
pp. 301-306
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The American Mad Max: The Road Warrior versus the Postman

John Hay
pp. 307-327
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Nowhere to run: Repetition compulsion and heterotopia in the Australian post-apocalypse – from 'Crabs' to Mad Max Beyond Thunderdome

Claire Corbett
pp. 329-351
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Re-casting nature as feminist space in Mad Max: Fury Road1

Michelle Yates
pp. 353-370
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'Who killed the world?': Religious paradox in Mad Max: Fury Road

Bonnie McLean
pp. 371-390
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"Beating an undead zombie? Not yet"

Lorenzo Servitje
pp. 391-400
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The Weird and the Eerie by Mark Fisher (review)

Dan Hassler-Forest
pp. 401-404
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The Paranormal and the Paranoid: Conspiratorial Science Fiction Television by Aaron John Gulyas (review)

Sherryl Vint
pp. 404-406
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Anatomy of a Robot: Literature, Cinema, and the Cultural Work of Artificial People by Despina Kakoudaki (review)

Jennifer Rhee
pp. 407-412
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Red Alert: Marxist Approaches to Science Fiction Cinema eds. by Ewa Mazierska and Alfredo Suppia (review)

Carl Freedman
pp. 413-417
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Shooting the Moon by Brian Willems (review)

Mark Bould
pp. 418-421
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Daredevil Seasons 1 & 2. (US 2015–) by Netflix (review)

Michael C. Reiff
pp. 423-428
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Jupiter Ascending (Wachowski siblings US 2015) by Warner Bros (review)

Cameron Kunzelman
pp. 428-432
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Jurassic World (Colin Trevorrow US 2015) (review)

Skye Cervone
pp. 433-437
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Log Horizon (original title: ログ・ホライズン; Japan 2013–15) (review)

Matt Schneider
pp. 438-441
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Index to volume 10

pp. 445-447
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About the contributors

pp. 443-444
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