1. Mad Max: between apocalypse and utopia
  2. Dan Hassler-Forest
  3. pp. 301-306
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  1. The American Mad Max: The Road Warrior versus the Postman
  2. John Hay
  3. pp. 307-327
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  1. Nowhere to run: Repetition compulsion and heterotopia in the Australian post-apocalypse – from 'Crabs' to Mad Max Beyond Thunderdome
  2. Claire Corbett
  3. pp. 329-351
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  1. Re-casting nature as feminist space in Mad Max: Fury Road1
  2. Michelle Yates
  3. pp. 353-370
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  1. 'Who killed the world?': Religious paradox in Mad Max: Fury Road
  2. Bonnie McLean
  3. pp. 371-390
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  1. "Beating an undead zombie? Not yet"
  2. Lorenzo Servitje
  3. pp. 391-400
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  1. The Weird and the Eerie by Mark Fisher (review)
  2. Dan Hassler-Forest
  3. pp. 401-404
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  1. The Paranormal and the Paranoid: Conspiratorial Science Fiction Television by Aaron John Gulyas (review)
  2. Sherryl Vint
  3. pp. 404-406
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  1. Anatomy of a Robot: Literature, Cinema, and the Cultural Work of Artificial People by Despina Kakoudaki (review)
  2. Jennifer Rhee
  3. pp. 407-412
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  1. Red Alert: Marxist Approaches to Science Fiction Cinema eds. by Ewa Mazierska and Alfredo Suppia (review)
  2. Carl Freedman
  3. pp. 413-417
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  1. Shooting the Moon by Brian Willems (review)
  2. Mark Bould
  3. pp. 418-421
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  1. Daredevil Seasons 1 & 2. (US 2015–) by Netflix (review)
  2. Michael C. Reiff
  3. pp. 423-428
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  1. Jupiter Ascending (Wachowski siblings US 2015) by Warner Bros (review)
  2. Cameron Kunzelman
  3. pp. 428-432
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  1. Jurassic World (Colin Trevorrow US 2015) (review)
  2. Skye Cervone
  3. pp. 433-437
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  1. Log Horizon (original title: ログ・ホライズン; Japan 2013–15) (review)
  2. Matt Schneider
  3. pp. 438-441
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  1. Index to volume 10
  3. pp. 445-447
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  1. About the contributors
  3. pp. 443-444
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