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Table of Contents

  1. Editorial: Discomfort
  2. pp. 1-6
  3. DOI: https://doi.org/10.1353/sen.2017.0011
  4. open access
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  1. Felicitous "Misalignments": Bagyi Aung Soe's Manaw Maheikdi Dat Pangyi
  2. Yin Ker
  3. pp. 9-40
  4. DOI: https://doi.org/10.1353/sen.2017.0012
  5. open access
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  1. The Painting of Prostitutes in Indonesian Modern Art
  2. Matt Cox
  3. pp. 41-63
  4. DOI: https://doi.org/10.1353/sen.2017.0013
  5. open access
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  1. Rites of Change: Artistic Responses to Recent Street Protests in Kuala Lumpur
  2. Fiona Lee
  3. pp. 65-90
  4. DOI: https://doi.org/10.1353/sen.2017.0014
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  1. The Third Avant-garde: Messages of Discontent
  2. Leonor Veiga
  3. pp. 91-127
  4. DOI: https://doi.org/10.1353/sen.2017.0015
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  1. Queering Postnational Tendencies in Contemporary Art from Thailand
  2. Brian Curtin
  3. pp. 131-156
  4. DOI: https://doi.org/10.1353/sen.2017.0016
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  1. "We Know Where We Will Be Taking Indonesian Art", 1948
  2. Sindudarsono Sudjojono, Brigitta Isabella
  3. pp. 159-164
  4. DOI: https://doi.org/10.1353/sen.2017.0017
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  1. "Untitled Letter to Editor", Jakarta, 25 December 1942
  2. Matt Cox, Sindudarsono Sudjojono
  3. pp. 165-178
  4. DOI: https://doi.org/10.1353/sen.2017.0018
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  1. Michelle Antoinette, Reworlding Art History: Contemporary Southeast Asian Art after 1990
  2. Clare Veal
  3. pp. 181-188
  4. DOI: https://doi.org/10.1353/sen.2017.0019
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  1. A Flimsy Image: A Case Study for Learning to Listen
  2. Fiona Amundsen
  3. pp. 191-202
  4. DOI: https://doi.org/10.1353/sen.2017.0020
  5. open access
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