1. Two Solitudes
  2. Ralph Heintzman
  3. pp. 1-124
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  1. Morley Callaghan and His Audience
  2. Brandon Conron
  3. pp. 3-7
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  1. Callaghan’s Vision: Wholeness and the Individual
  2. Patricia Morley
  3. pp. 8-12
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  1. Morley Callaghan and the Exultant Self
  2. Ina Ferris
  3. pp. 13-17
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  1. A Callaghan Log
  2. David Latham, Sheila Latham
  3. pp. 18-29
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  1. Nobody Dunit: The Loose End as Structural Element in Lady Oracle
  2. Wilfred Cude
  3. pp. 30-44
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  1. The External World in the Novels of Margaret Atwood
  2. Leila G. Mitchell
  3. pp. 45-55
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  1. The British Canadian Theatrical Organization Society and the Trans-Canada Theatre Society
  2. Patrick B. O’Neill
  3. pp. 56-67
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  1. The Canadian Authors’ Association in the 1920s: A Case Study in Cultural Nationalism
  2. M. Vipond
  3. pp. 68-79
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  1. ‘The Song of a People’: Sir Robert Falconer on Empire
  2. James G. Greenlee
  3. pp. 80-92
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  1. Big Business and the Origins of the Conservative Reform Movement in Ottawa, 1890–1912
  2. Peter Gillis
  3. pp. 93-109
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  1. The Relevance of the Antigonish Movement Today
  2. Gregory Baum
  3. pp. 110-117
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  1. 1763 And All That (A Creative Interpretation of Canadian History)
  2. A. I. Silver
  3. pp. 118-121
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  1. Dance of Death in Toronto the Good
  2. Michael Hurley
  3. pp. 122-123
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  1. Index — Volume 14 — 1979
  2. pp. 126-128
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  1. Notes
  2. p. 92
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