1. Writing and Culture in Nineteenth-Century Canada
  2. Michael Peterman
  3. pp. 3-208
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  1. Nobler Savages: Representations of Native Women in the Writings of Susanna Moodie and Catharine Parr Traill
  2. Carole Gerson
  3. pp. 5-21
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  1. Paul Kane Goes South: The Sale of the Family’s Collection of Field Sketches
  2. I.S. MacLaren
  3. pp. 22-47
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  1. La Présence de Thomas Moore, auteur de A Canadian Boat Song, dans la poésie canadienne-française, au XIXe siècle
  2. Yolande Grisé
  3. pp. 48-71
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  1. Pour une étude comparée de la littérature québécoise et des littératures coloniales américaines
  2. Yvan Lamonde
  3. pp. 72-78
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  1. Charles G.D. Roberts and William Wilfred Campbell as Canadian Tour Guides
  2. D.M.R. Bentley
  3. pp. 79-99
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  1. “And let them wash me from this clanging world”: Hugh and Ion, “The Last Best West” and Purity Discourse in 1885
  2. Cecily Devereux
  3. pp. 100-115
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  1. “The Intellectual Possibilities of a Mere Colony”: The Week in Search of a New Canadian Soul
  2. Thomas E. Tausky
  3. pp. 116-133
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  1. W.D. Lighthall and David Ross McCord: Antimodernism and English-Canadian Imperialism, 1880s–1918
  2. Donald A. Wright
  3. pp. 134-153
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  1. Sara Jeannette Duncan in the “Camp of the Philistines”
  2. Faye Hammill
  3. pp. 154-169
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  1. Imaging the Imagination: Films on Canadian Writers
  2. Keith Harrison
  3. pp. 170-174
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  1. Thinking Seriously About Difference
  2. Jill Vickers
  3. pp. 175-182
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  1. Revivals and Religion: Recent Work on the History of Protestantism in Canada
  2. James W. Opp
  3. pp. 183-194
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  1. Labouring on the Edge
  2. James Hull
  3. pp. 195-201
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  1. New Books
  2. pp. 202-205
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  1. Canadian Studies News and Notes
  2. pp. 206-207
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