1. Cultural Locations, Cultural Locutions
  2. Christl Verduyn
  3. pp. 5-14
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  1. Locality and Universalization: Where is Canadian Studies?
  2. Ian Angus
  3. pp. 15-32
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  1. Altered States: Global Currents, the Spectral Nation, and the Production of “Asian Canadian”
  2. Roy Miki
  3. pp. 43-72
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  1. Cultural Contexts for the Reception of Marilyn Dumont’s A Really Good Brown Girl
  2. Renée Hulan
  3. pp. 73-96
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  1. Without Reservation: Erotica, Indigenous Style
  2. Kateri Akiwenzie-Damm
  3. pp. 97-104
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  1. Pluriculturalisme au Québec: La voix des auteurs allophones
  2. Jeanette den Toonder
  3. pp. 105-119
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  1. The Role and Practice of Racialized Discourse in Culture and Cultural Production
  2. Carol Tator, Frances Henry
  3. pp. 120-137
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  1. The Scholar and the Theatre
  2. L.W. Conolly
  3. pp. 150-161
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  1. James Kudelka: Extending Ballet’s Language
  2. James Neufeld
  3. pp. 162-172
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  1. In and Around Canadian Music
  2. Will Straw
  3. pp. 173-183
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  1. Opera in Canada: A Conversation
  2. Linda Hutcheon, George Elliott Clarke
  3. pp. 184-198
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  1. Looking Back To the Future – Creators and Cultural Policy in the Era of Free Trade: A Commentary
  2. Susan Crean
  3. pp. 199-211
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  1. The Rhetoric of Culture: Some Notes on Magazines, Canadian Culture and Globalization
  2. Imre Szeman
  3. pp. 212-230
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  1. Tuning in the Future: Digital Technology and Commercial Radio Broadcasting in Canada
  2. Deborah Parnis
  3. pp. 231-250
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  1. Fear and Loathing on the Granting Trail: Canadian Art Versus Canadian Bureaucracy
  2. Hal Niedzviecki
  3. pp. 251-261
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  1. Requiem for a Northern Dream: On Canada, Pop Culture and a Gunslinger’s Sunset
  2. Geoff Pevere
  3. pp. 262-267
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  1. Trudeau and the Politics of Language
  2. Donald Wright
  3. pp. 268-279
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  1. Out of the Cloister But Still on the Margins?: Recent Publications in Canadian Religious History
  2. David Marshall
  3. pp. 292-305
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  1. New Books
  2. pp. 306-309
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  1. Contributors
  2. pp. 310-313
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