1. Baudelaire’s Feminine Counter-Signature: “Mademoiselle Bistouri”’s Photographic Poetics
  2. Elissa Marder
  3. pp. 1-25
  4. DOI: 10.1353/ncf.2017.0009
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  1. Allégorie de la charité dans la peinture et le roman français du XIXe siècle: charité d’Esmeralda dans Notre-Dame de Paris de Victor Hugo
  2. Sylvie Goutas
  3. pp. 26-41
  4. DOI: 10.1353/ncf.2017.0010
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  1. Le Tapis-franc criminel et le salon respectable: mise en regard chronotopique dans les mystères urbains (1842–59)
  2. Nicolas Gauthier
  3. pp. 42-57
  4. DOI: 10.1353/ncf.2017.0011
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  1. Love and Real Estate: The Matchmaker and the Real Estate Developer as Social Types in Zola and Gaboriau
  2. Colin Foss
  3. pp. 58-72
  4. DOI: 10.1353/ncf.2017.0012
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  1. Krysinska’s Rythmes pittoresques: Theorizing Poetry before Mallarmé’s Critical Poems
  2. Darci Gardner
  3. pp. 73-92
  4. DOI: 10.1353/ncf.2017.0013
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  1. Perverting Degeneration: Bestiality, Atavism, and Rachilde’s L’Animale
  2. Simon Porzak
  3. pp. 93-113
  4. DOI: 10.1353/ncf.2017.0014
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  1. Cine-cartography: The Cinematic in Paul Vidal de la Blache
  2. Dana Lindaman
  3. pp. 114-127
  4. DOI: 10.1353/ncf.2017.0015
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  1. La Lecture de François le Champi dans À la recherche du temps perdu: Sand, Proust et l’“essence du roman”
  2. Christina Kkona
  3. pp. 128-146
  4. DOI: 10.1353/ncf.2017.0016
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