In this Issue

Table of Contents

Invited Essay

Baudelaire’s Feminine Counter-Signature: “Mademoiselle Bistouri”’s Photographic Poetics

Elissa Marder
pp. 1-25
DOI: https://doi.org/10.1353/ncf.2017.0009
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Articles

Allégorie de la charité dans la peinture et le roman français du XIXe siècle: charité d’Esmeralda dans Notre-Dame de Paris de Victor Hugo

Sylvie Goutas
pp. 26-41
DOI: https://doi.org/10.1353/ncf.2017.0010
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Le Tapis-franc criminel et le salon respectable: mise en regard chronotopique dans les mystères urbains (1842–59)

Nicolas Gauthier
pp. 42-57
DOI: https://doi.org/10.1353/ncf.2017.0011
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Love and Real Estate: The Matchmaker and the Real Estate Developer as Social Types in Zola and Gaboriau

Colin Foss
pp. 58-72
DOI: https://doi.org/10.1353/ncf.2017.0012
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Krysinska’s Rythmes pittoresques: Theorizing Poetry before Mallarmé’s Critical Poems

Darci Gardner
pp. 73-92
DOI: https://doi.org/10.1353/ncf.2017.0013
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Perverting Degeneration: Bestiality, Atavism, and Rachilde’s L’Animale

Simon Porzak
pp. 93-113
DOI: https://doi.org/10.1353/ncf.2017.0014
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Cine-cartography: The Cinematic in Paul Vidal de la Blache

Dana Lindaman
pp. 114-127
DOI: https://doi.org/10.1353/ncf.2017.0015
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La Lecture de François le Champi dans À la recherche du temps perdu: Sand, Proust et l’“essence du roman”

Christina Kkona
pp. 128-146
DOI: https://doi.org/10.1353/ncf.2017.0016
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Reviews

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