1. The Maxims of Swift's Psychological Fiction
  2. Kelly Swartz
  3. pp. 1-23
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  1. Serialized Identities and the Novelistic Character in Eliza Haywood's Fantomina and Anti-Pamela
  2. Leslie Morrison
  3. pp. 25-44
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  1. Eros and Exchange Alley: Speculative Desire in Eliza Haywood's Memoirs of a Certain Island
  2. David Mark Diamond
  3. pp. 45-64
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  1. Fielding after Mandeville: Virtue, Self-Interest, and the Foundation of "Good Nature"
  2. Andrew Benjamin Bricker
  3. pp. 65-87
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  1. Fetters and Free-thinking: Cylinda's Conceptual Metaphors in Sarah Fielding and Jane Collier's The Cry
  2. Earla Wilputte
  3. pp. 89-108
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  1. Bakhtin, Theory of Mind, and Pedagogy: Cognitive Construction of Social Class
  2. Lisa Zunshine
  3. pp. 109-126
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  1. Author, Author! The Newfound Significance of Colley Cibber Review Essay
  2. Marcie Frank
  3. pp. 127-131
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  1. The Other Rise of the Novel in Eighteenth-Century French Fiction by Olivier Delers (review)
  2. Guillaume Ansart
  3. pp. 131-134
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  1. Bernardin de Saint-Pierre: Genèse et philosophie de l'œuvre by Gabriel-Robert Thibault (review)
  2. Moufida El Bejaoui
  3. pp. 135-137
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  1. Disputed Titles: Ireland, Scotland, and the Novel of Inheritance, 1798–1832 by Natasha Tessone (review)
  2. Cheryl L. Nixon
  3. pp. 137-141
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  1. Essential Scots and the Idea of Unionism in Anglo-Scottish Literature, 1603–1832 by Rivka Swenson (review)
  2. Sebastian Mitchell
  3. pp. 141-143
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  1. Armed Ambiguity: Women Warriors in German Literature and Culture in the Age of Goethe by Julie Koser (review)
  2. Rebecca Steele
  3. pp. 144-146
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  1. Empiricist Devotions: Science, Religion, and Poetry in Early Eighteenth-Century England by Courtney Weiss Smith (review)
  2. Seth Rudy
  3. pp. 147-149
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  1. Surprise: The Poetics of the Unexpected from Milton to Austen by Christopher R. Miller (review)
  2. Joel T. Terranova
  3. pp. 150-152
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