In this Issue

Table of Contents

Arts, Humanities and Complex Networks Reach Critical Threshold

Maximilian Schich, Isabel Meirelles
p. 440
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@Caltech: Art, Science and Technology, 1969–1971

Stephen Nowlin
pp. 443-447
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Color Plates

p. 449
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Reactions to Imagery Generated Using Computational Aesthetic Measures

Prasad Gade, Mary Galvin, James O’Sullivan, Paul Walsh, Órla Murphy
pp. 453-460
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Dance Becoming Knowledge: Designing a Digital “Body”

James Leach, Scott Delahunta
pp. 461-467
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Suggestions for a Parametric Typology of Dance

Donna Jo Napoli, Lisa Kraus
pp. 468-476
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The Last Word Is: ImaginationA Study of the Spatial Aspects of Edgard Varèse’s Work, Part II: Visual Evidence

Roger Reynolds
pp. 477-485
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R. Buckminster Fuller, the Expo ’67 Pavilion and the Atoms for Peace Program

Rebecca Dalvesco
pp. 486-492
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Holograms: The Story of a Word and Its Cultural Uses

Sean Johnston
pp. 493-499
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Arts, Humanities and Complex Networks 2015

Maximilian Schich, Isabel Meirelles
p. 500
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Modeling Structure and Content: Socio-Semantic Network Analysis of the Mahābhārata

Frederik Elwert, Sven Sellmer
p. 501
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Stylometric Networks and Fake Authorships

Jeremi K. Ochab
p. 502
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Visualizing and Analyzing Complex and Dynamic Networks of Flemish Tapestry Entrepreneurs (1640–1720)

Koenraad Brosens, Jan Aerts, Klara Alen, Astrid Slegten, Fred Truyen
p. 503
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Differential Hive Plots: Seeing Networks Change

Martin Krzywinski, Ka Ming Nip, Inanc Birol, Marco Marra
p. 504
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Visualizing the Evolution of Programming Languages

Sergi Valverde
p. 505
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Highlights from the IEEE VIS 2014 Arts Program (VISAP’14): Part 3

Angus Forbes, Fanny Chevalier
p. 506
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Soybots: Mobile Micro-Gardens

Shannon C. McMullen, Fabian Winkler
pp. 507-508
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Expressive Cartography, Boundary Objects and the Aesthetics of Public Visualization

Patricio Dávila, Dave Colangelo, Maggie Chan, Robert Tu
pp. 509-510
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Shanghai Metro Flow: Multiple Perspectives into a Subway System

Till Nagel, Benedikt Groß
pp. 511-512
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Hearts and Minds: The Interrogations Project

Daria Tsoupikova, Scott Rettberg, Roderick Coover, Arthur Nishimoto
pp. 513-514
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PhD in Art and Design

Ken Friedman, Jack Ox
pp. 515-519
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An Alternative Approach to Establishing a Studio Doctorate in Fine Art

Virginia Maksymowicz, Blaise Tobia
pp. 520-525
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Case Study: The Development and Evolution of the Creative Arts Practice-led PhD at the University of Melbourne, Victorian College of the Arts

Diane Zeeuw
pp. 526-527
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Top-Rated LABS Abstracts 2016

Sheila Pinkel
p. 528
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Other-Worlds: Encounters with the Visual Perception of Lungfishes through Science and Art

Audrey Appudurai
p. 529
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A Machine that Dreams: An Artistic Enquiry Leading to an Integrative Theory and Computational Artwork

Benjamin David Robert Bogart
p. 530
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Bioart as a Space for Identity Conceptualization: Figuring the Human Body under the Scope of Biotechnologies

Marianne Cloutier
p. 530
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Exploring the Cognitive Correlates of Artistic Practice Using a Parameterized Non-Photorealistic Toolkit

Steve DiPaola
pp. 531-452
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Postgenomic Identity: Art and Biopolitics

Heather Dewey-Hagborg
p. 531
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Un-Natural Histories: The Specimen as Site of Knowledge Production in Contemporary Art

Helen Gregory
p. 532
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Digital Debris of Internet Art: An Allegorical and Entropic Resistance to the Epistemology of Search

Nils Jean
p. 533
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Affect and the Experimental Design of Domestic Products

Guy Keulemans
p. 533
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Quality of Aesthetic Experience and Implicit Modulating Factors

Wendy Ann Mansilla
p. 534
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The Strange Dance: 9 Evenings:

Robin Oppenheimer
p. 535
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The Harmonic Pattern Function: A Mathematical Model Integrating Synthesis of Sound and Graphical Patterns

Lance Putnam
p. 535
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Listening Art: Making Sonic Artworks That Critique Listening

Camille Robinson
p. 536
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Vastal: The Vivoarts School for Transgenic Aesthetics, Ltd.

Adam Zaretsky
p. 536
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Imagining Extinction: The Cultural Meanings of Endangered Species by Ursula K. Heise (review)

Michael Punt, Hannah Drayson, Dene Grigar, Jane Hutchinson, Jan Baetens
pp. 537-538
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Rogue Archives: Digital Cultural Memory and Media Fandom by Abigail De Kosnik (review)

Jan Baetens
pp. 538-539
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The Ordinary Man of Cinema by Jean Louis Schefer (review)

Will Luers
pp. 539-540
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The Selected Letters of John Cage ed. by Laura Kuhn (review)

Ellen Pearlman
pp. 540-541
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The Hidden Third by Basarab Nicolescu (review)

Rob Harle
p. 542
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The Apparently Marginal Activities of Marcel Duchamp by Elena Filipovic (review)

Edith Doove
pp. 542-544
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Mirror Affect: Seeing Self, Observing Others in Contemporary Art by Cristina Albu (review)

Ana Peraica
p. 544
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The New Ecology: Rethinking a Science for the Anthropocene by Oswald J. Schmitz (review)

Amy Ione
pp. 545-547
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The Participatory Condition in the Digital Age ed. by Darin Barney et al. (review)

Gabriela Galati
pp. 547-548
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The Ancient Origins of Consciousness: How the Brain Created Experience by Todd E. Feinberg and Jon M. Mallatt (review)

Craig Hilton
pp. 548-549
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The Perversity of Things: Hugo Gernsback on Media, Tinkering, and Scientifiction ed. by Grant Wythoff (review)

Jan Baetens
pp. 549-550
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Leonardo Reviews Online

pp. 550-551
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The Network: Recaps and Announcements from the Leonardo Community

pp. 552-553
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Cognitive Innovation and the Cognitive Turn

Michael Punt
pp. 554-555
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