1. Arts, Humanities and Complex Networks Reach Critical Threshold
  2. Maximilian Schich, Isabel Meirelles
  3. p. 440
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  1. @Caltech: Art, Science and Technology, 1969–1971
  2. Stephen Nowlin
  3. pp. 443-447
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  1. Color Plates
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  1. Reactions to Imagery Generated Using Computational Aesthetic Measures
  2. Prasad Gade, Mary Galvin, James O’Sullivan, Paul Walsh, Órla Murphy
  3. pp. 453-460
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  1. Dance Becoming Knowledge: Designing a Digital “Body”
  2. James Leach, Scott Delahunta
  3. pp. 461-467
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  1. Suggestions for a Parametric Typology of Dance
  2. Donna Jo Napoli, Lisa Kraus
  3. pp. 468-476
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  1. The Last Word Is: Imagination
  2. Roger Reynolds
  3. pp. 477-485
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  1. R. Buckminster Fuller, the Expo ’67 Pavilion and the Atoms for Peace Program
  2. Rebecca Dalvesco
  3. pp. 486-492
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  1. Holograms: The Story of a Word and Its Cultural Uses
  2. Sean Johnston
  3. pp. 493-499
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  1. Arts, Humanities and Complex Networks 2015
  2. Maximilian Schich, Isabel Meirelles
  3. p. 500
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  1. Modeling Structure and Content: Socio-Semantic Network Analysis of the Mahābhārata
  2. Frederik Elwert, Sven Sellmer
  3. p. 501
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  1. Stylometric Networks and Fake Authorships
  2. Jeremi K. Ochab
  3. p. 502
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  1. Differential Hive Plots: Seeing Networks Change
  2. Martin Krzywinski, Ka Ming Nip, Inanc Birol, Marco Marra
  3. p. 504
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  1. Visualizing the Evolution of Programming Languages
  2. Sergi Valverde
  3. p. 505
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  1. Highlights from the IEEE VIS 2014 Arts Program (VISAP’14): Part 3
  2. Angus Forbes, Fanny Chevalier
  3. p. 506
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  1. Soybots: Mobile Micro-Gardens
  2. Shannon C. McMullen, Fabian Winkler
  3. pp. 507-508
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  1. Expressive Cartography, Boundary Objects and the Aesthetics of Public Visualization
  2. Patricio Dávila, Dave Colangelo, Maggie Chan, Robert Tu
  3. pp. 509-510
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  1. Shanghai Metro Flow: Multiple Perspectives into a Subway System
  2. Till Nagel, Benedikt Groß
  3. pp. 511-512
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  1. Hearts and Minds: The Interrogations Project
  2. Daria Tsoupikova, Scott Rettberg, Roderick Coover, Arthur Nishimoto
  3. pp. 513-514
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  1. PhD in Art and Design
  2. Ken Friedman, Jack Ox
  3. pp. 515-519
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  1. An Alternative Approach to Establishing a Studio Doctorate in Fine Art
  2. Virginia Maksymowicz, Blaise Tobia
  3. pp. 520-525
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  1. Case Study: The Development and Evolution of the Creative Arts Practice-led PhD at the University of Melbourne, Victorian College of the Arts
  2. Diane Zeeuw
  3. pp. 526-527
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  1. Top-Rated LABS Abstracts 2016
  2. Sheila Pinkel
  3. p. 528
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  1. Other-Worlds: Encounters with the Visual Perception of Lungfishes through Science and Art
  2. Audrey Appudurai
  3. p. 529
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  1. A Machine that Dreams: An Artistic Enquiry Leading to an Integrative Theory and Computational Artwork
  2. Benjamin David Robert Bogart
  3. p. 530
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  1. Bioart as a Space for Identity Conceptualization: Figuring the Human Body under the Scope of Biotechnologies
  2. Marianne Cloutier
  3. p. 530
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  1. Exploring the Cognitive Correlates of Artistic Practice Using a Parameterized Non-Photorealistic Toolkit
  2. Steve DiPaola
  3. pp. 531-452
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  1. Postgenomic Identity: Art and Biopolitics
  2. Heather Dewey-Hagborg
  3. p. 531
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  1. Un-Natural Histories: The Specimen as Site of Knowledge Production in Contemporary Art
  2. Helen Gregory
  3. p. 532
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  1. Digital Debris of Internet Art: An Allegorical and Entropic Resistance to the Epistemology of Search
  2. Nils Jean
  3. p. 533
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  1. Affect and the Experimental Design of Domestic Products
  2. Guy Keulemans
  3. p. 533
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  1. Quality of Aesthetic Experience and Implicit Modulating Factors
  2. Wendy Ann Mansilla
  3. p. 534
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  1. The Strange Dance: 9 Evenings:
  2. Robin Oppenheimer
  3. p. 535
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  1. The Harmonic Pattern Function: A Mathematical Model Integrating Synthesis of Sound and Graphical Patterns
  2. Lance Putnam
  3. p. 535
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  1. Listening Art: Making Sonic Artworks That Critique Listening
  2. Camille Robinson
  3. p. 536
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  1. Vastal: The Vivoarts School for Transgenic Aesthetics, Ltd.
  2. Adam Zaretsky
  3. p. 536
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  1. Imagining Extinction: The Cultural Meanings of Endangered Species by Ursula K. Heise (review)
  2. Michael Punt, Hannah Drayson, Dene Grigar, Jane Hutchinson, Jan Baetens
  3. pp. 537-538
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  1. Rogue Archives: Digital Cultural Memory and Media Fandom by Abigail De Kosnik (review)
  2. Jan Baetens
  3. pp. 538-539
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  1. The Ordinary Man of Cinema by Jean Louis Schefer (review)
  2. Will Luers
  3. pp. 539-540
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  1. The Selected Letters of John Cage ed. by Laura Kuhn (review)
  2. Ellen Pearlman
  3. pp. 540-541
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  1. The Hidden Third by Basarab Nicolescu (review)
  2. Rob Harle
  3. p. 542
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  1. The Apparently Marginal Activities of Marcel Duchamp by Elena Filipovic (review)
  2. Edith Doove
  3. pp. 542-544
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  1. Mirror Affect: Seeing Self, Observing Others in Contemporary Art by Cristina Albu (review)
  2. Ana Peraica
  3. p. 544
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  1. The New Ecology: Rethinking a Science for the Anthropocene by Oswald J. Schmitz (review)
  2. Amy Ione
  3. pp. 545-547
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  1. The Participatory Condition in the Digital Age ed. by Darin Barney et al. (review)
  2. Gabriela Galati
  3. pp. 547-548
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  1. The Ancient Origins of Consciousness: How the Brain Created Experience by Todd E. Feinberg and Jon M. Mallatt (review)
  2. Craig Hilton
  3. pp. 548-549
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  1. The Perversity of Things: Hugo Gernsback on Media, Tinkering, and Scientifiction ed. by Grant Wythoff (review)
  2. Jan Baetens
  3. pp. 549-550
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  1. Leonardo Reviews Online
  2. pp. 550-551
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  1. The Network: Recaps and Announcements from the Leonardo Community
  2. pp. 552-553
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  1. Cognitive Innovation and the Cognitive Turn
  2. Michael Punt
  3. pp. 554-555
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