1. Ambivalent Pasts: Colonial History and the Theatricalities of Ethnographic Display
  2. Michael Bachmann
  3. pp. 299-319
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  1. The Lifelike Dead: Staging the Nonhuman in Colonial Nairobi
  2. Joshua Williams
  3. pp. 321-337
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  1. From Visible Object to Reported Action: The Performance of Verbal Images in Visual Art Museums
  2. Georgina Guy
  3. pp. 339-359
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  1. Wayang in Museums: The Reverse Repatriation of Javanese Puppets
  2. Matthew Isaac Cohen
  3. pp. 361-381
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  1. Shared Histories and Commemorative Extension: Warsaw’s POLIN Museum
  2. Bryce Lease
  3. pp. 383-401
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  1. Subjective Histories of Taylor Mac’s “Radical Faerie Realness Ritual” History
  2. David Román, Kalle Westerling, Dan Venning, Jennifer Buckley, Miriam Felton-Dansky, Kim Marra, César Alvarez, Erik Patterson
  3. pp. 403-415
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  1. Lizzie by Steven Cheslik-DeMeyer, Tim Maner, and Alan Stevens Hewitt (review)
  2. Jonathan Chambers
  3. pp. 417-419
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  1. National Arts Festival (review)
  2. April Sizemore-Barber
  3. pp. 419-423
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  1. Learning Curve (review)
  2. Katherine Zien
  3. pp. 423-425
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  1. Notes from the Field by Anna Deavere Smith (review)
  2. Kristin Moriah
  3. pp. 425-427
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  1. Mitleid. Der Geschichte des Maschinengewehrs (Compassion: The History of the Machine Gun) by Milo Rau (review)
  2. Stuart Young
  3. pp. 427-429
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  1. Fifth National Asian American Theater Conference and Festival (review)
  2. Ju Yon Kim
  3. pp. 429-432
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  1. Wonderful Town by Joseph A. Fields and Jerome Chodorov (review)
  2. Bryan M. Vandevender
  3. pp. 432-434
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  1. Sex Museums: The Politics and Performance of Display by Jennifer Tyburczy (review)
  2. Susan Bennett
  3. pp. 435-436
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  1. Theatre, Exhibition, and Curation: Displayed & Performed by Georgina Guy (review)
  2. Bryony White
  3. pp. 436-437
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  1. Presidential Libraries as Performance: Curating American Character from Herbert Hoover to George W. Bush by Jodi Kantor (review)
  2. Sarah Bay-Cheng
  3. pp. 437-439
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  1. Theatrical Heritage: Challenges and Opportunities ed. by Bruno Forment and Christel Stalpaert (review)
  2. Gwyneth Shanks
  3. pp. 439-440
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  1. Artifacts and Allegiances: How Museums Put the Nation and the World on Display by Peggy Levitt (review)
  2. Scott Magelssen
  3. pp. 440-441
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  1. Writing the History of the British Stage, 1660–1900 by Richard Schoch (review)
  2. Edward Ziter
  3. pp. 441-443
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  1. Politicizing Creative Economy: Activism and a Hunger Called Theater by Dia Da Costa (review)
  2. Sarah Saddler
  3. pp. 443-444
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  1. Editorial Comment: Theatre and the Museum / Cultures of Display
  2. Jen Parker-Starbuck
  3. pp. ix-xii
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