restricted access   Volume 69, Number 3, September 2017

Table of Contents

Special Issue: Theatre and the Museum / Cultures of Display

Editorial Comment: Theatre and the Museum / Cultures of Display

pp. ix-xii


Ambivalent Pasts: Colonial History and the Theatricalities of Ethnographic Display

pp. 299-319

The Lifelike Dead: Staging the Nonhuman in Colonial Nairobi

pp. 321-337

From Visible Object to Reported Action: The Performance of Verbal Images in Visual Art Museums

pp. 339-359

Wayang in Museums: The Reverse Repatriation of Javanese Puppets

pp. 361-381

Shared Histories and Commemorative Extension: Warsaw’s POLIN Museum

pp. 383-401

Performance Reviews

Isaiah Wooden, Editor

Review Essay

Subjective Histories of Taylor Mac’s “Radical Faerie Realness Ritual” History

pp. 403-415

Lizzie by Steven Cheslik-DeMeyer, Tim Maner, and Alan Stevens Hewitt (review)

pp. 417-419

National Arts Festival (review)

pp. 419-423

Learning Curve (review)

pp. 423-425

Notes from the Field by Anna Deavere Smith (review)

pp. 425-427

Mitleid. Der Geschichte des Maschinengewehrs (Compassion: The History of the Machine Gun) by Milo Rau (review)

pp. 427-429

Fifth National Asian American Theater Conference and Festival (review)

pp. 429-432

Wonderful Town by Joseph A. Fields and Jerome Chodorov (review)

pp. 432-434

Book Reviews

Bradley Rogers, Editor

Sex Museums: The Politics and Performance of Display by Jennifer Tyburczy (review)

pp. 435-436

Theatre, Exhibition, and Curation: Displayed & Performed by Georgina Guy (review)

pp. 436-437

Presidential Libraries as Performance: Curating American Character from Herbert Hoover to George W. Bush by Jodi Kantor (review)

pp. 437-439

Theatrical Heritage: Challenges and Opportunities ed. by Bruno Forment and Christel Stalpaert (review)

pp. 439-440

Artifacts and Allegiances: How Museums Put the Nation and the World on Display by Peggy Levitt (review)

pp. 440-441

Writing the History of the British Stage, 1660–1900 by Richard Schoch (review)

pp. 441-443

Politicizing Creative Economy: Activism and a Hunger Called Theater by Dia Da Costa (review)

pp. 443-444