1. Ambivalent Pasts: Colonial History and the Theatricalities of Ethnographic Display
  2. Michael Bachmann
  3. pp. 299-319
  4. DOI: 10.1353/tj.2017.0043
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  1. The Lifelike Dead: Staging the Nonhuman in Colonial Nairobi
  2. Joshua Williams
  3. pp. 321-337
  4. DOI: 10.1353/tj.2017.0044
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  1. From Visible Object to Reported Action: The Performance of Verbal Images in Visual Art Museums
  2. Georgina Guy
  3. pp. 339-359
  4. DOI: 10.1353/tj.2017.0045
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  1. Wayang in Museums: The Reverse Repatriation of Javanese Puppets
  2. Matthew Isaac Cohen
  3. pp. 361-381
  4. DOI: 10.1353/tj.2017.0046
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  1. Shared Histories and Commemorative Extension: Warsaw’s POLIN Museum
  2. Bryce Lease
  3. pp. 383-401
  4. DOI: 10.1353/tj.2017.0047
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  1. Lizzie by Steven Cheslik-DeMeyer, Tim Maner, and Alan Stevens Hewitt (review)
  2. Jonathan Chambers
  3. pp. 417-419
  4. DOI: 10.1353/tj.2017.0049
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  1. National Arts Festival (review)
  2. April Sizemore-Barber
  3. pp. 419-423
  4. DOI: 10.1353/tj.2017.0050
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  1. Learning Curve (review)
  2. Katherine Zien
  3. pp. 423-425
  4. DOI: 10.1353/tj.2017.0051
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  1. Notes from the Field by Anna Deavere Smith (review)
  2. Kristin Moriah
  3. pp. 425-427
  4. DOI: 10.1353/tj.2017.0052
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  1. Mitleid. Der Geschichte des Maschinengewehrs (Compassion: The History of the Machine Gun) by Milo Rau (review)
  2. Stuart Young
  3. pp. 427-429
  4. DOI: 10.1353/tj.2017.0053
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  1. Fifth National Asian American Theater Conference and Festival (review)
  2. Ju Yon Kim
  3. pp. 429-432
  4. DOI: 10.1353/tj.2017.0054
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  1. Wonderful Town by Joseph A. Fields and Jerome Chodorov (review)
  2. Bryan M. Vandevender
  3. pp. 432-434
  4. DOI: 10.1353/tj.2017.0055
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  1. Sex Museums: The Politics and Performance of Display by Jennifer Tyburczy (review)
  2. Susan Bennett
  3. pp. 435-436
  4. DOI: 10.1353/tj.2017.0056
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  1. Theatre, Exhibition, and Curation: Displayed & Performed by Georgina Guy (review)
  2. Bryony White
  3. pp. 436-437
  4. DOI: 10.1353/tj.2017.0057
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  1. Theatrical Heritage: Challenges and Opportunities ed. by Bruno Forment and Christel Stalpaert (review)
  2. Gwyneth Shanks
  3. pp. 439-440
  4. DOI: 10.1353/tj.2017.0059
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  1. Artifacts and Allegiances: How Museums Put the Nation and the World on Display by Peggy Levitt (review)
  2. Scott Magelssen
  3. pp. 440-441
  4. DOI: 10.1353/tj.2017.0060
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  1. Writing the History of the British Stage, 1660–1900 by Richard Schoch (review)
  2. Edward Ziter
  3. pp. 441-443
  4. DOI: 10.1353/tj.2017.0061
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  1. Politicizing Creative Economy: Activism and a Hunger Called Theater by Dia Da Costa (review)
  2. Sarah Saddler
  3. pp. 443-444
  4. DOI: 10.1353/tj.2017.0062
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  1. Editorial Comment: Theatre and the Museum / Cultures of Display
  2. Jen Parker-Starbuck
  3. pp. ix-xii
  4. DOI: 10.1353/tj.2017.0042
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