1. L’Utilisation des Théâtres Antiques
  2. José Monleón
  3. pp. 8-13
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  1. The Conservation and Use of Ancient Theatres in Modern Greece-Current Issues Relating to the Epidauros Theatre
  2. Konstantinos Boletis
  3. pp. 14-19
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  1. Ancient Greek Theatres: Their Protection and Promotion - Problems and Perspectives Concerning Their Use
  2. E. Spathari
  3. pp. 20-26
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  1. Sanctuaires Antiques et Festival: Le Cas de Baalbek (Liban)
  2. Lévon Nordiguian
  3. pp. 27-32
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  1. Ritual Spaces, Contested Places: The Case of the Maltese Prehistoric Temple Sites
  2. Reuben Grima
  3. pp. 33-45
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  1. Performance in Ancient Sites: A Convergence of Cultural Values
  2. Vicki Ann Cremona, Anthony Pace
  3. pp. 46-56
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  1. The Greek Drama in Italian Contemporary Theatre: A Historical Perspective
  2. Filippo Amoroso
  3. pp. 57-72
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  1. Theatrical Spaces in Search of Spectators: Ancient Theatres in Israel
  2. Nurit Yaari
  3. pp. 73-83
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  1. ‘I Shall Go to Him’ on Space and Other Biblical Theatricalities in IISam. 11, 12
  2. Shimon Levy
  3. pp. 84-107
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  1. Archaeological Objects and Mobile Exhibition Units – The Case of Theasis
  2. Amalia Tsitouri
  3. pp. 108-115
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  1. An Exhibition on Tragic Theatre
  2. Stella Chryssoulaki, Aexandra Lekka, Theodore Alexiou
  3. pp. 116-121
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  1. Anciens Sites Rituels et Théâtraux Action Pédagogique autour du Théâtre Antique d’Arles
  2. Odile Caylux
  3. pp. 122-124
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  1. Costume in Malta: An History of Fabric, Form and Fashion ed. by Nicholas de Piro, Vicki Ann Cremona (review)
  2. Paul Clough
  3. pp. 137-139
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  1. Theatre Audiences: A Theory of Production and Reception by Susan Bennett (review)
  2. pp. 139-141
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  1. Introduction
  2. Vicki Ann Cremona
  3. pp. 1-7
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  1. Appendix I: Charter on the Use of Ancient Places of Performance
  2. Verona Charter
  3. pp. 125-128
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  1. Appendix II
  2. Segesta Declaration
  3. pp. 134-136
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