In this Issue
Publishing since 1977, Indiana Theory Review provides a venue for creative and imaginative articles on music theory, a forum for the thoughtful exchange of ideas and directions in the field through letters and editorial comments, and an opportunity for review of books and periodicals dealing with a variety of music subjects. Formerly semiannual prior to volume 37, each annual peer-reviewed issue showcases the basic philosophy of sound scholarship and high quality performance as the hallmarks of superior music education. Indiana Theory Review is sponsored by Indiana University’s Jacobs School of Music, its Department of Music Theory, and the Graduate Theory Association.
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Indiana University Pressviewing issue
Volume 31, Numbers 1 & 2, Spring & Fall 2013Table of Contents
pp. 5-51
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View A New Similarity Measurement of Pitch Contour for Analyzing 20th- and 21st-century Music: The Minimally Divergent Contour Network
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A New Similarity Measurement of Pitch Contour for Analyzing 20th- and 21st-century Music: The Minimally Divergent Contour Network
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pp. 115-167
pp. 185-190
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View Breaking Time’s Arrow: Experiment and Expression in the Music of Charles Ives by Matthew McDonald (review)
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Breaking Time’s Arrow: Experiment and Expression in the Music of Charles Ives by Matthew McDonald (review)
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| ISSN | 2474-7777 |
|---|---|
| Print ISSN | 0271-8022 |
| Launched on MUSE | 2018-01-01 |
| Open Access | No |
