In this Issue
TDR provides scholarship on performances and their social, economic and political contexts. With an emphasis on the experimental, avant-garde, intercultural and interdisciplinary, it covers dance theatre, performance art, popular entertainment, media, sports, rituals and performance in politics and everyday life.
published by
The MIT Pressviewing issue
Volume 61, Number 3, Fall 2017 (T235)Table of Contents
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View How to See Black Space in Total Whiteness: taisha paggett's underwaters (we is ready, we is ready) and the 2014 Whitney Biennial
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How to See Black Space in Total Whiteness: taisha paggett's underwaters (we is ready, we is ready) and the 2014 Whitney Biennial
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View "We Rule the Waves": Athletic Labor, Femininity, and National Collective in Billy Rose's Aquacade
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"We Rule the Waves": Athletic Labor, Femininity, and National Collective in Billy Rose's Aquacade
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View Asian Theatre as Method: The Toki Experimental Project and Sino-Japanese Transnationalism in Performance
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Asian Theatre as Method: The Toki Experimental Project and Sino-Japanese Transnationalism in Performance
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Resounding Afro Asia: Interracial Music and the Politics of Collaboration by Tamara Roberts (review)
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View Resounding Afro Asia: Interracial Music and the Politics of Collaboration by Tamara Roberts (review)
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Resounding Afro Asia: Interracial Music and the Politics of Collaboration by Tamara Roberts (review)
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View Performance by Diana Taylor, and: What Is Performance Studies? ed. by Diana Taylor, Marcos Steuernagel (review)
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Performance by Diana Taylor, and: What Is Performance Studies? ed. by Diana Taylor, Marcos Steuernagel (review)
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| ISSN | 1531-4715 |
|---|---|
| Print ISSN | 1054-2043 |
| Launched on MUSE | 2017-09-12 |
| Open Access | No |
Copyright
Copyright © New York University and the Massachusetts Institute of Technology.




