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Table of Contents

  1. Thoughts That Do Lie Too Deep for Tears: Comparative Literature Versus World Literature
  2. J. Hillis Miller
  3. pp. 378-396
  4. DOI: https://doi.org/10.1353/crc.2017.0033
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  1. The Three Futures of World Literature
  2. Haun Saussy
  3. pp. 397-406
  4. DOI: https://doi.org/10.1353/crc.2017.0034
  5. restricted access
  1. What Is Left of Comparative Literature and World Literature? Notes on International Literature, Its Concrete Universality and Enigmacity
  2. Jean Bessière
  3. pp. 407-419
  4. DOI: https://doi.org/10.1353/crc.2017.0035
  5. restricted access
  1. Comparative Literature: Can This Marriage Be Saved?
  2. Dorothy Figueira
  3. pp. 420-435
  4. DOI: https://doi.org/10.1353/crc.2017.0036
  5. restricted access
  1. Worlding Comparative Literature: Beyond Postcolonialism
  2. Theo D'haen
  3. pp. 436-448
  4. DOI: https://doi.org/10.1353/crc.2017.0037
  5. restricted access
  1. Aesthetic Imaginary: Rethinking the "Comparative"
  2. Ranjan Ghosh
  3. pp. 449-467
  4. DOI: https://doi.org/10.1353/crc.2017.0038
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  1. The Location of World Literature
  2. Galin Tihanov
  3. pp. 468-481
  4. DOI: https://doi.org/10.1353/crc.2017.0039
  5. restricted access
  1. Texts and Images in a National, Comparative, and World Context
  2. Jonathan Locke Hart
  3. pp. 482-500
  4. DOI: https://doi.org/10.1353/crc.2017.0040
  5. restricted access
  1. World Poetry, without Baedeker: The Very Idea
  2. Ming Xie
  3. pp. 501-509
  4. DOI: https://doi.org/10.1353/crc.2017.0041
  5. restricted access
  1. Personal Geographies and Liminal Identities in Three Early Modern Women's Life Writings about War
  2. I-Chun Wang
  3. pp. 510-521
  4. DOI: https://doi.org/10.1353/crc.2017.0042
  5. restricted access
  1. "Love for the World": Shakespeare, National Literature, and Weltliteratur
  2. Q.S. Tong
  3. pp. 522-536
  4. DOI: https://doi.org/10.1353/crc.2017.0043
  5. restricted access
  1. Shakespeare's Global Weirding: Macbeth's Posting of "Anthropos," Cinematization, and the Era of Extinction
  2. Tom Cohen
  3. pp. 537-552
  4. DOI: https://doi.org/10.1353/crc.2017.0044
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  1. Articulations in Translation at the Intersection of World Literature and Popular Culture: Film and TV Adaptations of Ishiguro's Never Let Me Go
  2. Wu Shang
  3. pp. 553-564
  4. DOI: https://doi.org/10.1353/crc.2017.0045
  5. restricted access
  1. Vision and Self-Consciousness in The Picture of Dorian Gray
  2. Hao Li
  3. pp. 565-578
  4. DOI: https://doi.org/10.1353/crc.2017.0046
  5. restricted access
  1. Time Has Begun: Hu Feng's Poesis in Socialist China, 1937-50
  2. Ruth Y.Y. Hung
  3. pp. 579-593
  4. DOI: https://doi.org/10.1353/crc.2017.0047
  5. restricted access
  1. Literature, History, and Narrative: A New Historicist Reading of Yan Geling's "Celestial Bath"
  2. Guo Rong
  3. pp. 594-606
  4. DOI: https://doi.org/10.1353/crc.2017.0048
  5. restricted access
  1. National Self-Critique Prompted by Immersion in (An)Other Culture: Goldsworthy Lowes Dickinson, Xu Zhimo, and Pearl Buck
  2. King-Kok Cheung
  3. pp. 607-619
  4. DOI: https://doi.org/10.1353/crc.2017.0049
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  1. Introduction: Literary Texts and Contexts: Comparing the World and the World of Comparison
  2. Jonathan Locke Hart
  3. pp. 363-377
  4. DOI: https://doi.org/10.1353/crc.2017.0032
  5. restricted access