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In this Issue

Table of Contents

  1. Monist Dramaturgy in Strindberg's The Black Glove
  2. Sarah Balkin
  3. pp. 251-277
  4. restricted access
  1. Feeling Privileged: The Shame of Whiteness in Caroline, or Change
  2. Stephen Low
  3. pp. 278-295
  4. restricted access
  1. Sarah Bernhardt's Exteriority Effects
  2. Sharon Marcus
  3. pp. 296-321
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  1. Feeling, Sensation, and Being Moved: Case Studies in Affective Performance
  2. Denise Varney
  3. pp. 322-341
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  1. Samuel Beckett's Hypnotic Theatre
  2. Corey Wakeling
  3. pp. 342-363
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  1. Strains of the Enlightenment: Making Belief in American Secularism and African Difference in The Book of Mormon
  2. Kellen Hoxworth
  3. pp. 364-386
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  1. Rewriting Narratives in Egyptian Theatre: Translation, Performance, Politics ed. by Sirkku Aaltonen and Areeg Ibrahim (review)
  2. Rebekah Maggor
  3. pp. 387-389
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  1. Performing Noncitizenship: Asylum Seekers in Australian Theatre, Film and Activism by Emma Cox (review)
  2. Helena Grehan
  3. pp. 389-391
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  1. Beat Drama: Playwrights and Performances of the "Howl" Generation ed. by Deborah R. Geis (review)
  2. Stephen Bottoms
  3. pp. 392-394
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  1. Latin Numbers: Playing Latino in Twentieth-Century U.S. Popular Performance by Brian Eugenio Herrera (review)
  2. Anne García-Romero
  3. pp. 394-396
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  1. The Racial Mundane: Asian American Performance and the Embodied Everyday by Ju Yon Kim (review)
  2. Colleen Kim Daniher
  3. pp. 397-399
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  1. The Birth of Theater from the Spirit of Philosophy: Nietzsche and the Modern Drama by David Kornhaber (review)
  2. Tom Stern
  3. pp. 399-401
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  1. So Near, Yet So Far: Badal Sircar's Third Theatre by Manujendra Kundu (review)
  2. Sukanya Chakrabarti
  3. pp. 401-404
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  1. Performing Age in Modern Drama by Valerie Barnes Lipscomb (review)
  2. Benjamin Gillespie
  3. pp. 404-406
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  1. In Memoriam
  3. p. iii
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  1. Editor's Note
  2. R. Darren Gobert
  3. pp. v-vi
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