restricted access   Volume 49, Number 2, August 2017

Table of Contents

Editor's Note

pp. 1-2


Swans in Sugarcane fields: Proletarian Ballet Dancers and The Cuban Revolution's Industrious New Man

pp. 3-25

Gaga as Metatechnique: Negotiating Choreography, Improvisation, and Technique in a Neoliberal Dance Market

pp. 26-43

Walking with the Self: Zab Maboungou's Interventions Against Eurocentrism Through Contemporary African Dance

pp. 44-61

Effacing Rebellion and Righting the Slanted: Declassifying the Archive of MacMillan's (1965) and Shakespeare's (1597) Romeo and Juliets

pp. 62-78

Representing Soldiers to Soldiers Through Dance: Authenticity, Theatricality, and Witnessing The Pain of Others

pp. 79-95

Book Reviews

Trisha Brown: Choreography as Visual Art by Susan Rosenberg (review)

pp. 97-100

Like a Bomb Going Off: Leonid Yakobson and Ballet as Resistance in Soviet Russia by Janice Ross (review)

pp. 100-104

Dramaturgy in the Making: A User's Guide for Theatre Practitioners by Katalin Trencsényi (review)

pp. 104-106

Flowers Cracking Concrete: Eiko & Koma's Asian/American Choreographies by Rosemary Candelario (review)

pp. 107-108

Blackpentecostal Breath: The Aesthetics of Possibility by Ashon Crawley (review)

pp. 109-111

Embodied Philosophy in Dance: Gaga and Ohad Naharin's Movement Research by Einav Katan (review)

pp. 112-114

Books Received

pp. 115-116