1. Editor's Note
  2. Helen Thomas
  3. pp. 1-2
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  1. Swans in Sugarcane fields: Proletarian Ballet Dancers and The Cuban Revolution's Industrious New Man
  2. Lester Tomé
  3. pp. 3-25
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  1. Gaga as Metatechnique: Negotiating Choreography, Improvisation, and Technique in a Neoliberal Dance Market
  2. Meghan Quinlan
  3. pp. 26-43
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  1. Walking with the Self: Zab Maboungou's Interventions Against Eurocentrism Through Contemporary African Dance
  2. Melissa Templeton
  3. pp. 44-61
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  1. Effacing Rebellion and Righting the Slanted: Declassifying the Archive of MacMillan's (1965) and Shakespeare's (1597) Romeo and Juliets
  2. Brandon Shaw
  3. pp. 62-78
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  1. Representing Soldiers to Soldiers Through Dance: Authenticity, Theatricality, and Witnessing The Pain of Others
  2. Matthew Reason
  3. pp. 79-95
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  1. Trisha Brown: Choreography as Visual Art by Susan Rosenberg (review)
  2. Rebecca Chaleff
  3. pp. 97-100
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  1. Like a Bomb Going Off: Leonid Yakobson and Ballet as Resistance in Soviet Russia by Janice Ross (review)
  2. Hanna Järvinen
  3. pp. 100-104
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  1. Dramaturgy in the Making: A User's Guide for Theatre Practitioners by Katalin Trencsényi (review)
  2. Randi Evans
  3. pp. 104-106
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  1. Flowers Cracking Concrete: Eiko & Koma's Asian/American Choreographies by Rosemary Candelario (review)
  2. Mana Hayakawa
  3. pp. 107-108
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  1. Blackpentecostal Breath: The Aesthetics of Possibility by Ashon Crawley (review)
  2. Jasmine Johnson
  3. pp. 109-111
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  1. Embodied Philosophy in Dance: Gaga and Ohad Naharin's Movement Research by Einav Katan (review)
  2. Melissa Melpignano
  3. pp. 112-114
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  1. Books Received
  2. pp. 115-116
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