1. Putting Penn to Paper: Warner Bros.' Contract Governance and the Transition to New Hollywood
  2. Peter Labuza
  3. pp. 4-17
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  1. Herding Cats; or, The Possibilities of Unproduction Studies
  2. Peter C. Kunze
  3. pp. 18-31
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  1. Who's Running the Show?: Negotiating Authority in Post-Fin-Syn Writer-Producer Deals
  2. Josh Heuman
  3. pp. 32-47
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  1. "Dancing, Flying Camera Jockeys": Invisible Labor, Craft Discourse, and Embodied Steadicam and Panaglide Technique from 1972 to 1985
  2. Katie Bird
  3. pp. 48-65
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  1. Progressive Television, Translation, and Globalization: The Case of Glee in Latin America
  2. Laurena Bernabo
  3. pp. 66-79
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  1. Between-the-Lines: Social Media, Professional Identity, and TV's Liminal Laborers
  2. Myles McNutt
  3. pp. 80-93
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  1. When Movies Were Theater: Architecture, Exhibition, and the Evolution of American Film by William Paul (review)
  2. Leo Rubinkowski
  3. pp. 94-97
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  1. Tsui Hark's Peking Opera Blues by Tan See Kam (review)
  2. Chelsea McCracken
  3. pp. 98-99
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  1. Introduction
  2. The Editors
  3. pp. 1-3
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