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In this Issue

Table of Contents

  1. "A World Film Fight": Behind the Scenes With Hollywood and Fascist Italy
  2. David Welky
  3. pp. 4-17
  4. DOI: https://doi.org/10.1353/flm.2017.a668275
  5. restricted access
  1. Dismantling the Third Reich: in Cate Shortland's Lore (2012)
  2. Elizabeth M. Ward
  3. pp. 18-27
  4. DOI: https://doi.org/10.1353/flm.2017.a668276
  5. restricted access
  1. Lawrence of Arabia (1962): A Dying Empire's Cri de Coeur
  2. David Barber
  3. pp. 28-45
  4. DOI: https://doi.org/10.1353/flm.2017.a668277
  5. restricted access
  1. A Chapter in Her Life (1923): A "Chapter" on the History, Aesthetics, and Ethics of Lois Weber's Filmmaking
  2. Marcia Landy
  3. pp. 46-58
  4. DOI: https://doi.org/10.1353/flm.2017.a668278
  5. restricted access
  1. World Film Locations: Hong Kong ed. by Linda Chiu-han Lai and Kimburley Wing-yee Choi, and: Historical Dictionary of Chinese Cinema by Tan Ye and Yun Zhu, and: The Oxford Handbook of Chinese Cinemas ed. by Carlos Rojas and Eileen Cheng-yin Chow (review)
  2. Richard John Ascárate, Paul Cohen
  3. pp. 59-62
  4. restricted access
  1. Steven Spielberg and Duel: The Making of a Film Career by Steven Awalt (review)
  2. David Levy
  3. pp. 62-64
  4. restricted access
  1. Hollywood and the Holocaust by Henry Gonshak (review)
  2. Lawrence Baron
  3. pp. 64-67
  4. restricted access
  1. Beyond the Looking Glass: Narcissism and Female Stardom in Studio-Era Hollywood by Ana Salzberg (review)
  2. Sara Bakerman
  3. pp. 67-69
  4. restricted access
  1. Brando's Smile: His Life, Thought, and Work by Susan L. Mizruchi (review)
  2. Ron Briley
  3. pp. 69-71
  4. restricted access
  1. Cinema of the Dark Side: Atrocity and the Ethics of Film Spectatorship by Shohini Chaudhuri (review)
  2. Derek C. Maus
  3. pp. 71-73
  4. restricted access
  1. Classical Myth on Screen by Monica S. Cyrino & Meredith E. Safran (review)
  2. Tober Corrigan
  3. pp. 73-75
  4. restricted access
  1. Agnès Varda by Kelley Conway (review)
  2. Alex Davis
  3. pp. 75-77
  4. restricted access
  1. Deathwatch: American Film, Technology, and the End of Life by C. Scott Combs (review)
  2. Douglas MacLeod
  3. pp. 77-80
  4. restricted access
  1. Engaging the Past: Mass Culture and the Production of Historical Knowledge by Alison Landsberg (review)
  2. Rebecca Weeks
  3. pp. 80-82
  4. restricted access
  1. Australian Film Theory and Criticism: Vol. 2 Interviews ed. by Noel King and Deane Williams (review)
  2. Eleanor M. Huntington
  3. pp. 82-83
  4. restricted access
  1. Italian Silent Cinema: A Reader ed. by Giorgio Bertellini (review)
  2. Kelsey E. Moore
  3. pp. 83-84
  4. restricted access
  1. The Dick Van Dyke Show by Joanne Morreale (review)
  2. Laura LaPlaca
  3. pp. 84-86
  4. restricted access
  1. Leslie Howard – The Lost Actor by Estelle Eforgan (review)
  2. Anna Martonfi
  3. pp. 86-87
  4. restricted access
  1. American History Thorough Hollywood Film: From the Revolution to the 1960s by Melvyn Stokes (review)
  2. Christopher D. Stone
  3. pp. 87-88
  4. restricted access
  1. Queer Males in Contemporary Cinema: Becoming visible by Kylo-Patrick R. Hart (review)
  2. Robert Gabriel
  3. pp. 88-90
  4. restricted access
  1. The Lives of Robert Ryan by J.R. Jones (review)
  2. Bernard F. Dick
  3. pp. 90-91
  4. restricted access
  1. The Miracle of Analogy: Or The History of Photography, Part 1 by Kaja Silverman (review)
  2. Jenny Gunn
  3. pp. 91-94
  4. restricted access
  1. The Spike Lee Brand: A Study of Documentary Filmmaking by Delphine Letort (review)
  2. Zachary Ingle
  3. pp. 94-95
  4. restricted access
  1. Recycled Stars: Female Film Stardom in the Age of Television and Video by Mary R. Desjardins (review)
  2. Amanda Greer
  3. pp. 95-97
  4. restricted access
  1. Stars for Freedom: Hollywood, Black Celebrities, and the Civil Rights Movement by Emilie Raymond (review)
  2. Paul Thomas Atkinson
  3. pp. 97-99
  4. restricted access
  1. The American Civil War and the Hollywood War Film by John Trafton (review)
  2. Jerald Podair
  3. pp. 99-100
  4. restricted access
  1. I Am Not Your Negro, 2016 dir. by Raoul Peck (review)
  2. Thomas Prasch, Cindy Miller
  3. pp. 101-104
  4. restricted access
  1. The Handmaiden dir. by Chan-wook Park (review)
  2. Michael C. Reiff
  3. pp. 104-107
  4. restricted access
  1. El Chergui or the Violent Silence dir. by Moumen Smihi (review)
  2. Bouchra Badaoui
  3. pp. 107-110
  4. restricted access
  1. The Great War (2017) American Experience (review)
  2. Matthew C. Hulbert
  3. pp. 111-114
  4. restricted access
  1. The Last Man on the Moon dir. by Mark Craig (review)
  2. A. Bowdoin Van Riper
  3. pp. 114-116
  4. restricted access
  1. My Führer (2007) [Original Title: Mein Führer - Die wirklich wahrste Wahrheit über Adolf Hitler] dir. by Dani Levy (review)
  2. Gilda Bevilacqua
  3. pp. 116-119
  4. restricted access
  1. Suds dir. by John Francis Dillon (review)
  2. Georden West
  3. pp. 119-120
  4. restricted access
  1. A.I. Artificial Intelligence dir. by Steven Spielberg (review)
  2. Rodney Hill
  3. pp. 121-124
  4. restricted access
  1. Doctor Strange dir. by Scott Derickson (review)
  2. John Tibbetts
  3. pp. 124-125
  4. restricted access
  1. Black Mass dir. by Scott Cooper (review)
  2. Michael Ray FitzGerald
  3. pp. 125-127
  4. restricted access