In this Issue
Film & History has been in publication for over thirty-eight (38) years and is described in detail at its web site:
This journal considers motion pictures under the following rubrics:
1. Films which interpret history;
2. Films which reflect history;
3. Films made to influence history.
We are interested in documentary as well as feature films. There is no restriction concerning nationality; we welcome articles about the world of media.
The journal contains many book reviews and film reviews each issue. Subscribers are asked to participate by reviewing such texts for the journal.
Each year, Film & History also produces a CD-ROM of articles and out-of-print books for scholars in the form of a CD-ROM. Many publishable articles which do not fit our topic of the year are given a venue in this publication venture. The CD-ROMs also contain video and audio materials--often entire radio shows about selected film and history topics.
Please check the web site for more information, to include announcements about our bi-ennial meetings. (The next meeting will be in Dallas during early November, 2004; check details on the web site. Topic is "War in Film, TV, and History.")
published byCenter for the Study of Film and History
viewing issueVolume 47, Number 1, Summer 2017
Table of Contents
- Agnès Varda by Kelley Conway (review)
- pp. 75-77
- The Handmaiden dir. by Chan-wook Park (review)
- pp. 104-107
- Suds dir. by John Francis Dillon (review)
- pp. 119-120
- Doctor Strange dir. by Scott Derickson (review)
- pp. 124-125
- Black Mass dir. by Scott Cooper (review)
- pp. 125-127
Copyright © Historians Film Committee.