In this Issue

Table of Contents

“The Same Sound but with a Different Meaning”: Music, Repetition, and Identity in Bernard Mac Laverty’s Grace Notes

Gerry Smyth
pp. 5-24
DOI: https://doi.org/10.1353/eir.2002.0015
restricted access

Nationalism vs. Liberalism in the Irish Context: From a Postcolonial Past to a Postmodern Future1

Timothy J. White
pp. 25-38
DOI: https://doi.org/10.1353/eir.2002.0016
restricted access

Belated Behan: Brendan Behan and the Cultural Politics of Memory

John Brannigan
pp. 39-52
DOI: https://doi.org/10.1353/eir.2002.0017
restricted access

“Unbroken Service”: Máiréad Ní Ghráda’s Career at 2RN, Ireland’s First Broadcasting Station, 1927–35

Eileen Morgan
pp. 53-78
DOI: https://doi.org/10.1353/eir.2002.0018
restricted access

The War Against the R.I.C., 1919–21

W.J. Lowe
pp. 79-117
DOI: https://doi.org/10.1353/eir.2002.0019
restricted access

“All Creeds and All Classes”?: Just Who Made Up the Gaelic League?

Timothy G. McMahon
pp. 118-168
DOI: https://doi.org/10.1353/eir.2002.0020
restricted access

Displaying Ireland: Sydney Owenson and the Politics of Spectacular Antiquarianism1

Natasha Tessone
pp. 169-186
DOI: https://doi.org/10.1353/eir.2002.0021
restricted access

“Whether the White People Like it or Not”: Edmund Burke’s Speeches on India—Caoineadh’s Cáinte

Katherine O’Donnell
pp. 187-206
DOI: https://doi.org/10.1353/eir.2002.0022
restricted access

The Tender Mother and the Faithful Wife: Theater, Charity, and Female Subjectivity in Eighteenth-Century Ireland

Susan Harris
pp. 207-230
DOI: https://doi.org/10.1353/eir.2002.0023
restricted access

New Work on Modern Irish Drama and Theater, 1997–2002: An Overview

Joyce Flynn
pp. 231-242
DOI: https://doi.org/10.1353/eir.2002.0024
restricted access

Editors’ Introduction

pp. 3-4
DOI: https://doi.org/10.1353/eir.2002.0014
restricted access

Cover

p. 243
DOI: https://doi.org/10.1353/eir.2002.0025
restricted access

Contributors

pp. 244-246
DOI: https://doi.org/10.1353/eir.2002.0026
restricted access