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In this Issue

Table of Contents

  1. Queer Form: Aesthetics, Race, and the Violences of the Social
  2. Kadji Amin, Amber Jamilla Musser, Roy Pérez
  3. pp. 227-239
  4. DOI: https://doi.org/10.1353/asa.2017.0031
  5. restricted access
  1. Editors' Forum: "Queer Form"
  2. p. 253
  3. DOI: https://doi.org/10.1353/asa.2017.0036
  4. restricted access
  1. Queer Relations
  2. David J. Getsy
  3. pp. 254-257
  4. DOI: https://doi.org/10.1353/asa.2017.0041
  5. restricted access
  1. How to Make Language Lawless
  2. Ching-In Chen
  3. pp. 258-259
  4. DOI: https://doi.org/10.1353/asa.2017.0038
  5. restricted access
  1. How They Do It Where We From: On Queer Form
  2. Phillip Brian Harper
  3. pp. 259-261
  4. DOI: https://doi.org/10.1353/asa.2017.0033
  5. restricted access
  1. Wrong Impressions
  2. Summer Kim Lee
  3. pp. 261-264
  4. DOI: https://doi.org/10.1353/asa.2017.0039
  5. restricted access
  1. Crude Matter, Queer Form
  2. Kyla Tompkins
  3. pp. 264-268
  4. DOI: https://doi.org/10.1353/asa.2017.0042
  5. restricted access
  1. On Ruins
  2. Raquel Gutiérrez
  3. pp. 269-270
  4. DOI: https://doi.org/10.1353/asa.2017.0024
  5. restricted access
  1. Litotes Like it's 1985
  2. Karen Tongson
  3. pp. 271-273
  4. DOI: https://doi.org/10.1353/asa.2017.0032
  5. restricted access
  1. Queer Formalism As "Queer Form"
  2. Octavio R. González
  3. pp. 274-275
  4. DOI: https://doi.org/10.1353/asa.2017.0027
  5. restricted access
  1. Mike Brown's Body: New Materialism and Black Form
  2. André Carrington
  3. pp. 276-283
  4. DOI: https://doi.org/10.1353/asa.2017.0025
  5. restricted access
  1. Queer Form, Quiet Frame: A Sense of Alaska Native Aesthetics in Emily Johnson's The Thank-You Bar
  2. Katherine Brewer Ball
  3. pp. 307-333
  4. DOI: https://doi.org/10.1353/asa.2017.0040
  5. restricted access
  1. Stripped to the Bone: Sequencing Queerness in the Comic Strip Work of Joe Brainard and David Wojnarowicz
  2. Ramzi Fawaz
  3. pp. 335-367
  4. DOI: https://doi.org/10.1353/asa.2017.0035
  5. restricted access
  1. Forms of Opacity: Roaches, Blood, and Being Stuck in Xandra Ibarra's Corpus
  2. Christina A. León
  3. pp. 369-394
  4. DOI: https://doi.org/10.1353/asa.2017.0037
  5. restricted access
  1. Virtuosic Distortion: Nelson Sullivan's Queer Hand
  2. Ricardo Montez
  3. pp. 395-421
  4. DOI: https://doi.org/10.1353/asa.2017.0030
  5. restricted access
  1. Slow Encounters: Chantal Akerman's From The Other Side, Queer Form, And The Mexican Migrant
  2. Iván A. Ramos
  3. pp. 423-448
  4. DOI: https://doi.org/10.1353/asa.2017.0029
  5. restricted access
  1. The Beads of Versailles: Jean-Michel Othoniel's Les Belles Danses
  2. Jennifer E. Row
  3. pp. 449-479
  4. DOI: https://doi.org/10.1353/asa.2017.0026
  5. restricted access