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Table of Contents

  1. Erratum
  3. DOI: https://doi.org/10.1353/cea.2017.0010
  4. restricted access
  1. Using the Master’s Tools: The Role of Signifyin(g) in Django Unchained
  2. Leslie Walker Bickford
  3. pp. 139-148
  4. DOI: https://doi.org/10.1353/cea.2017.0011
  5. restricted access
  1. Trespassing the U.S.-Mexico Border in Leslie Marmon Silko’s Almanac of the Dead and Karen Tei Yamashita’s Tropic of Orange
  2. Francisco Delgado
  3. pp. 149-166
  4. DOI: https://doi.org/10.1353/cea.2017.0012
  5. restricted access
  1. Singing and Survival: Empowering the Female Voice in Harriet Prescott Spofford’s “Circumstance”
  2. Colleen Donnelly
  3. pp. 167-176
  4. DOI: https://doi.org/10.1353/cea.2017.0013
  5. restricted access
  1. Adulthood, Power Games, and Making Faces in Kingsley Amis’s Lucky Jim
  2. Ken Eckert
  3. pp. 177-194
  4. DOI: https://doi.org/10.1353/cea.2017.0014
  5. restricted access
  1. Paper: A Photo Essay
  2. Pete Fredlake
  3. pp. 195-201
  4. DOI: https://doi.org/10.1353/cea.2017.0015
  5. restricted access
  1. Ars Geologia: Clarence King’s Poetic Shasta
  2. Gregg W. Heitschmidt
  3. pp. 202-216
  4. DOI: https://doi.org/10.1353/cea.2017.0016
  5. restricted access
  1. Who Will Reign and Who Will Serve: Domesticating the Self in Elizabeth Stoddard’s The Morgesons
  2. Paula Kot
  3. pp. 217-230
  4. DOI: https://doi.org/10.1353/cea.2017.0017
  5. restricted access
  1. Captivating Readers: Middlebrow Aesthetics and James Hilton’s Lost Horizon
  2. Jeffrey Mather
  3. pp. 231-243
  4. DOI: https://doi.org/10.1353/cea.2017.0018
  5. restricted access
  1. Contributors
  3. pp. 246-247
  4. DOI: https://doi.org/10.1353/cea.2017.0019
  5. restricted access