1. Erratum
  2. DOI: 10.1353/cea.2017.0010
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  1. Using the Master’s Tools: The Role of Signifyin(g) in Django Unchained
  2. Leslie Walker Bickford
  3. pp. 139-148
  4. DOI: 10.1353/cea.2017.0011
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  1. Singing and Survival: Empowering the Female Voice in Harriet Prescott Spofford’s “Circumstance”
  2. Colleen Donnelly
  3. pp. 167-176
  4. DOI: 10.1353/cea.2017.0013
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  1. Adulthood, Power Games, and Making Faces in Kingsley Amis’s Lucky Jim
  2. Ken Eckert
  3. pp. 177-194
  4. DOI: 10.1353/cea.2017.0014
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  1. Paper: A Photo Essay
  2. Pete Fredlake
  3. pp. 195-201
  4. DOI: 10.1353/cea.2017.0015
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  1. Ars Geologia: Clarence King’s Poetic Shasta
  2. Gregg W. Heitschmidt
  3. pp. 202-216
  4. DOI: 10.1353/cea.2017.0016
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  1. Who Will Reign and Who Will Serve: Domesticating the Self in Elizabeth Stoddard’s The Morgesons
  2. Paula Kot
  3. pp. 217-230
  4. DOI: 10.1353/cea.2017.0017
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  1. Captivating Readers: Middlebrow Aesthetics and James Hilton’s Lost Horizon
  2. Jeffrey Mather
  3. pp. 231-243
  4. DOI: 10.1353/cea.2017.0018
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  1. Contributors
  2. pp. 246-247
  3. DOI: 10.1353/cea.2017.0019
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