In this Issue

Table of Contents

"Lord, Let Me Be an Instrument": The Artistry and Cultural Politics of Reverend James Cleveland and the Gospel Music Workshop of America, 1963–1991

Claudrena Harold
pp. 157-180
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African Philosophy Reconsidered: Africa, Religion, Race, and Philosophy

Oludamini Ogunnaike
pp. 181-216
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Culture Wars, Race, and Sexuality: A Nascent Pan-African LGBT-Affirming Christian Movement and the Future of Christianity

Adriaan Van Klinken
pp. 217-238
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"She Come Like a Nightmare": Hags, Witches and the Gendered Trans-Sense among the Enslaved in the Lower South

Alexis S. Wells-Oghoghomeh
pp. 239-274
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Maroon History, Music, and Sacred Sounds in the Americas: A Jamaican Case

Harcourt Fuller
pp. 275-282
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How Can We Sing King Alpha's Song in a Strange Land?: The Sacred Music of the Boboshanti Rastafari

Anthony Merritt
pp. 282-291
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The Horrifying Sacred: Hip-Hop, Blackness, and the Figure of the Monster

Joseph Winters
pp. 291-299
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Hearing Sacred Sounds in Hindi Film Songs: Thoughts on the Mawlid in Tamale, Northern Ghana

Katie Young
pp. 299-306
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Editors' Note

Edward E. Curtis IV, Sylvester A. Johnson
pp. v-viii
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