1. Prologue
  2. Elizabeth R. Wright, G. Cory Duclos
  3. pp. 5-7
  4. DOI: 10.1353/boc.2017.0000
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  1. "De mi muerte triste agüero": La sombra admonitoria en el teatro de lope de Vega
  2. Gonzalo Pontón
  3. pp. 11-23
  4. DOI: 10.1353/boc.2017.0001
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  1. Hermafroditismo sociocultural: Tradición e innovación en La prueba de los ingenios de lope de Vega
  2. Marcella Salvi
  3. pp. 25-43
  4. DOI: 10.1353/boc.2017.0002
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  1. Virués's Theater of the Grotesque: Interrogating La gran Semíramis from Roman Chronicle to the new York stage
  2. Christopher D. Gascón
  3. pp. 45-62
  4. DOI: 10.1353/boc.2017.0003
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  1. Filiación celestinesca del personaje de la Farsa de la Costanza de Cristóbal de Castillejo
  2. Laura Mier Pérez
  3. pp. 63-72
  4. DOI: 10.1353/boc.2017.0004
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  1. Santo Tomás de Aquino interpretado en las canciones de La araucana y Arauco domado de Lope de Vega
  2. María Quiroz Taub
  3. pp. 73-94
  4. DOI: 10.1353/boc.2017.0005
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  1. Civic Responsibility or Directorial Prerogative: Ignacio García's Political Staging of Calderón's La cisma de Inglaterra
  2. Susan L. Fischer
  3. pp. 95-122
  4. DOI: 10.1353/boc.2017.0006
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  1. Politics and Aesthetics in European Baroque and Classicist Tragedy ed. by Jan Bloemendal and Nigel Smith (review)
  2. Yolanda Rodríguez Pérez
  3. pp. 123-127
  4. DOI: 10.1353/boc.2017.0007
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  1. La señora y la criada y El acaso y el error by Pedro Calderón de la Barca (review)
  2. Fernando Plata
  3. pp. 129-133
  4. DOI: 10.1353/boc.2017.0008
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  1. A History of Theatre in Spain ed. by María M. Delgado and David T. Gies (review)
  2. Bárbara Mujica
  3. pp. 135-139
  4. DOI: 10.1353/boc.2017.0009
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  1. Selling Shakespeare: Biography, Bibliography, and the Book Trade by Adam G. Hooks (review)
  2. Gonzalo Pontón
  3. pp. 145-150
  4. DOI: 10.1353/boc.2017.0011
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  1. Cognitive Approaches to Early Modern Spanish Literature ed. by Isabel Jaén and Julien Jacques Simon (review)
  2. Maria Willstedt
  3. pp. 151-154
  4. DOI: 10.1353/boc.2017.0012
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  1. Segunda parte de comedias, vol. V. No puede ser, Santa Rosa del Perú, La fuerza del natural by Agustín Moreto (review)
  2. Esther Fernández
  3. pp. 155-157
  4. DOI: 10.1353/boc.2017.0013
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  1. Shakespeare and Manuscript Drama: Canon, Collaboration and Text by James Purkis (review)
  2. Marco Presotto
  3. pp. 159-162
  4. DOI: 10.1353/boc.2017.0014
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  1. Arte nuevo de hacer comedias by Lope deVega (review)
  2. Jonathan Thacker
  3. pp. 163-166
  4. DOI: 10.1353/boc.2017.0015
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  1. Comedias Parte XIV by Lope de Vega (review)
  2. Fausta Antonucci
  3. pp. 167-171
  4. DOI: 10.1353/boc.2017.0016
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  1. Women and Servants by Lope deVega (review)
  2. Edward Mclean Test
  3. pp. 173-175
  4. DOI: 10.1353/boc.2017.0017
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  1. Juliano Apóstata by Luis Vélez de Guevara (review)
  2. Javier Arce
  3. pp. 177-179
  4. DOI: 10.1353/boc.2017.0018
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  1. 2016 International Siglo de Oro Drama Festival
  2. Anna-Lisa Halling, Valerie Hegstrom, Charles Patterson, Jared S. White, Erin Cowling
  3. pp. 181-191
  4. DOI: 10.1353/boc.2017.0019
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