Volume 49, Number 2, Fall 2016

Table of Contents

Articles

Introduction: Arts & Sciences

pp. 7-14
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Grounding Miasma, or Anticipating the Germ Theory of Disease in Victorian Cholera Satire

pp. 15-27
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Uncanny Anatomies/Figures of Wax

pp. 29-53
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Feeble Gods and Flawed Bioheroes The Walking Dead's Fictional Dr. Edwin Jenner and the Real CDC

pp. 55-84
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The Impossible "Pure Scientist" Travel, Representation, and the Self in Louis MacNeice's I Crossed the Minch

pp. 85-109
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"Quel étranger ici ne se sent pas chez lui?": Leïla Marouane and the Pathology of Failed Integration

pp. 111-136
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"It's Painful to See Them Think" Wharton, Fin de Siècle Science, and the Authentication of Female Intelligence

pp. 137-160
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The Scientization of Creativity: "Innovate or die!"

pp. 161-190
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Book Reviews

Adapted Brains and Imaginary Worlds: Cognitive Science and the Literature of the Renaissance by Donald Beecher (review)

pp. 191-193
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The Secret History of Wonder Woman by Jill Lepore (review)

pp. 195-198
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Richard Ford and the Ends of Realism. by Ian McGuire (review)

pp. 199-203
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The Meanings of J. Robert Oppenheimer by Lindsey Michael Banco (review)

pp. 205-207
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Optical Impersonality: Science, Images, and Literary Modernism by Christina Walter (review)

pp. 209-212
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Forensic Science in Contemporary American Popular Culture: Gender, Crime, and Science. by Lindsay Steenberg (review)

pp. 213-216
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The Poetics of Information Overload: From Gertrude Stein to Conceptual Writing. by Paul Stephens (review)

pp. 217-220
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Notes on Contributors

pp. 221-222
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