1. "A Many-Sided Substance": The Philosophy of Conversation in Woolf, Russell, and Kant
  2. Erin Greer
  3. pp. 1-17
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  1. Those Dots: Suspension and Interruption in Virginia Woolf's Three Guineas and Between the Acts
  2. Matthew Weber
  3. pp. 18-34
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  1. "Vociferating through the megaphone": Theatre, Consciousness, and the Voice from the Bushes in Virginia Woolf's Between the Acts
  2. Gyllian Phillips
  3. pp. 35-51
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  1. The Genesis of Virginia Woolf's Late Cultural Criticism
  2. Nan Zhang
  3. pp. 52-55
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  1. Modernism and the Challenge of Aurality
  2. Jacob Harris
  3. pp. 56-65
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  1. Gender Identity and Promiscuous Identification: Reading (in) Rebecca West's The Return of the Soldier
  2. Mara Scanlon
  3. pp. 66-83
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  1. The Betrayed Father: Wyndham Lewis, Homosexuality, and Enemy of the Stars
  2. Paul Scott Stanfield
  3. pp. 84-101
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  1. Nabokov's Shadow-Line
  2. Kira Alexandra Rose
  3. pp. 102-119
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  1. Querying and Queering Golden Age Detection: Gladys Mitchell's Speedy Death and Popular Modernism
  2. Paul Peppis
  3. pp. 120-134
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  1. Historical Restoration, Narrative Agency, and Silence in Graham Swift's Waterland
  2. Juan Meneses
  3. pp. 135-152
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  1. Before the Barriers Came Up
  2. Greg Barnhisel
  3. pp. 153-156
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  1. Muddling Modernity
  2. Mark Byers
  3. pp. 157-160
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  1. Stein After Will: A Review
  2. Jess Shollenberger
  3. pp. 161-165
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  1. Deconstructive Arming
  2. Daniel Rosenberg Nutters
  3. pp. 166-177
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  1. Long Live the English Gentleman
  2. Philip Tsang
  3. pp. 178-180
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  1. Queers against Death
  2. Gabriel Ojeda-Sague
  3. pp. 181-185
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